Dual(NaN)

Anabel(es)

Young Anabel mistakes a woman for her dead mother.

Falling in Love Like in Movies(id)

Bagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just like in the movies.

Abatarō Sentai Donburazāzu Supin-Ofu: Kore ga Donburazāzu no Nanori da! Abatarō no Honto no Sugata!?(ja)

Mr. Death(no)

An exclusive interview with Death as he goes about his everyday business.

For Dorian(en)

A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.

Lust(no)

A sister and a brother and the fear of fornication.

The Voyage(sv)

The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to. Astrid also faces a more dark and hostile world on board as she discovers that the staff has put in system to reject unwanted passengers such as Romans and Jews.

Maniacs(sv)

A girl goes to visit her sister who has been impossible to reach since being released from a psychiatric ward. When she arrives, things are much worse than she could have imagined. But to her surprise, her sister claims that she has never been happier since she turned her back on the outside world.

Cross-Legged, As We Sat Through Time(en)

A visual poem exploring female relationships and intimacy. A journey across the different stages of a friendship that emphasizes both the unique fragility of female bonds and the extent in which they impact our identity as women. Cross-legged was shot combining different formats, both digital and film

Out of the Blur(cn)

14 vignettes without dialogue.

Partenza(hr)

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

The Verge of Death(id)

Nadia, the sole survivor of her family's tragic fate, grapples with the looming threat of her father's sacrifice as she faces a life on the edge.

Present Perfect(th)

The movie centers on a young hipster girl who loves to party. One day, she has to deal with taking care of naughty niece that she has never met before and on top of it all, she is trying to sort out her past love that could somehow affect her future.

Forms of Forgetting(tr)

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.

About Family(es)

A family gathers and sells waste. One day, the mother finds a cylinder in an abandoned hospital and takes it home. The family situation becomes worse when, without them realizing it, the cylinder begins to change them from within.

Immediately Afterlife(en)

Bennett and Marissa are the sole survivors of the final suicidal act of their religious cult. Confused, relieved, angry and unfulfilled, the two followers each question one another's motives for joining, living, and surviving under the control of their Leader. Faced with their own doubts, Bennett and Marissa must confront their feelings and fears while deciding what life to live after near-death.

Preparation(el)

Three generations of women in one household do what they can to prepare for the impending loss of one of their number.

Bödeln(sv)

"The Hangman" - The events take place in two periods of time. In the Middle Ages a group of men sit and discuss the evil at the tavern. With the hangman close by. 1930s: a dance hall where many people gathered. A jazz orchestra of colored musicians entertain. When the musicians take a break to eat, they are denied this by a Nazi.

Deep It(en)

Deep It is a powerful drama that explores the real impact of carrying a knife on young people and their communities. The message is loud and clear, there is no such thing as a victimless crime. Everyone gets hurt in the process.