Naši furianti(1980)

The School for Scandal(en)

Comedy of manners about the corrupt high society of 18th-century England, centering on Lady Sneerwell and her plot to ruin the reputation of Charles Surface and prevent his marriage to the wealthy Maria. She conspires with Joseph Surface, Charles's hypocritical brother, who also desires Maria for her fortune.

Friends of the family(fr)

Leon Rollo whose nickname is "Patate" is an inventor adored by his wife and is daughter. He is mostly happy but his best friend Noël seems to succeed in everything he undertakes... Patate become increasingly jealous of this incredible luck.

The Winslow Boy(en)

In pre-WW1 England, a youngster is expelled from a naval academy over a petty theft, but his parents raise a political furor by demanding a trial.

Royal Opera House: Madama Butterfly(it)

Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.

The ROH Live: Nabucco(en)

Nabucco, King of Babylon, takes Jerusalem in his war with the Israelites – but his daughter Fenena loves the Israelite Ismaele. She releases their prisoners, leading her vengeful half-sister Abigaille to plot to take power. Nabucco declares himself a god and is struck by a bolt of lightning. Abigaille tricks the now feeble king into signing a death warrant for the Israelites, including Fenena and Ismaele. Nabucco prays to the God of Israel for forgiveness; his sanity is restored and he saves the prisoners from death. He converts himself and his people, while Abigaille commits suicide.

Tartuffe, or The Imposter(en)

Royal Shakespeare Company's televised adaptation of Moliere's play with Antony Sher in the title role of Tartuffe.

Oh, for a Man!(en)

Disenchanted opera star Carlotta Manson falls for ruffian cat burglar Barney McGann and gives up her career to marry him. But Barney grows disenchanted himself at being known as the husband of a diva and itches to get back to his life of crime and manliness.

13: The Musical(en)

After moving from New York City to Indiana, a 12 year old navigates his parents' divorce, his impending bar mitzvah and his new school's social circles.

Mean Girls(en)

New student Cady Heron is welcomed into the top of the social food chain by the elite group of popular girls called ‘The Plastics,’ ruled by the conniving queen bee Regina George and her minions Gretchen and Karen. However, when Cady makes the major misstep of falling for Regina’s ex-boyfriend Aaron Samuels, she finds herself prey in Regina’s crosshairs. As Cady sets to take down the group’s apex predator with the help of her outcast friends Janis and Damian, she must learn how to stay true to herself while navigating the most cutthroat jungle of all: high school.

Camel Through The Eye Of A Needle(cs)

Slightly ironic comedy of wretches, who come to understand the rich and are able to accept charity, and also about how love and work prevail over the factory owner's son.

The Sap from Syracuse(en)

Ellen Saunders is an heiress on a cruise to Europe being pursued by a day laborer mistaken for a prominent mining engineer. During the cruise, he foils two crooks trying to get their hands on her lucrative nickel mine.

Tosca(it)

Live Metropolitan Opera performance March, 1985.

The Threepenny Opera(de)

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

Roald Dahl's Matilda the Musical(en)

An extraordinary young girl discovers her superpower and summons the remarkable courage, against all odds, to help others change their stories, whilst also taking charge of her own destiny. Standing up for what's right, she's met with miraculous results.

Cosi Fan Tutte(it)

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

Mozart: Così Fan Tutte (Zurich Opera House)(it)

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

Fidlovačka aneb Žádný hněv a žádná rvačka(cs)

In "Fidlovacka", the name of a Czechoslovakian festival, the proprietress of a cheese factory picks a fiancé for her orphaned niece in her desire to bring aristocratic blood into the family. THe niece has also picked the man she wants to marry and isn't the the rich aristocrat.

La Cenerentola(en)

Gioacchino Rossini's sparkling version of the Cinderella story comes live from the Salzburg Festival with Ann Murray and Francisco Araiza as Cinderella and the Prince. Director Michael Hampe envisions La Cenerentola less as a fairy tale and more as a gently satirical comment on the nature of society and the relationship between people. Conductor Riccardo Chailly's masterly display of the Rossini style is visually matched by the opulent and elegant set designs by Mauro Pagano. 162 minutes.

Romeo et Juliette - Liceu(es)

All the Way Up(en)

Fred Midway may be a bit short on brains, but he's got plenty of ambition. However, before he can gain promotion as a salesman, he must make his family more socially acceptable.