

Kongkaboti is a Bangladeshi television fiction created by Uday Bangali, which aired on Nagorik TV.

Kongkaboti is a Bangladeshi television fiction created by Uday Bangali, which aired on Nagorik TV.
2021-01-11
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0.0Nerdy guy terrified of rejection anonymously woos classmate, ultimately uniting with long-lost love overcoming fear and heartbreak
0.0Web Series is a satire fiction created by Uday Bangali, which is unreleased yet.
0.0Backspace is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Channel 9.
0.0Boishakhi Hawa is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Bangla Vision.
0.0Gravedigger is the last name on the list of fighters facing the Corona epidemic. The gravediggers have buried the dead in one corona after another at the call of humanity even though they were not paid. In return, they received some rewards and an invaluable realization. One of them is Aslam of Ray Bazar Cemetery, The Last Man.
0.0A bare body guy buries his secrets in the earth right beside a river. An aspiring writer watches it from the bush. Begins a complex game with the secrets where the Earth stands witness.
0.0Mlan Jochna follows the story of a bright student, Hasan, from a small village, whose dreams are shattered after he gets caught up in a drug scandal.
6.9TV Miniseries (2 episodes) about life and rivalry of italian bikers Gino Bartali and Fausto Coppi.
6.0Nominated for two primetime Emmy Awards in 1984, this made-for-TV movie follows the true story of American boxer Jack Dempsey, who became a media sensation in the 1920s as the world heavyweight champion. Based upon the book by Jack Dempsey and Barbara Piatelli Dempsey.
8.2Ninpuu Sentai Hurricaneger with Donbrothers is a Japanese superhero tokusatsu crossover short film released exclusively on TTFC, featuring Donbrothers teaming up with Hurricanegers.
7.0A survey of movies about politics, with clips from several films and interviews with filmmakers and actors.
After seventeen years, a missing girl returns home. But is she a long-lost friend or a cold-blooded killer?
8.5In the TV adaptation of Donald Churchill’s play, Jane’s affair comes to light when her lover’s furious wife Marcia threatens to expose her, so Jane persuades their building painter Walter to impersonate her husband and defuse the scandal. Unbeknownst to her, Walter’s a passionate amateur actor who seizes the chance to play Othello, unleashing a madcap parade of misunderstandings as both women lavish affection on their faux spouse to prove who’s superior.
5.1An unofficial sequel to the movie "Ivan Vasilyevich Changes His Profession". The events take place on New Year's Eve 1997-1998, 24 years after the events of the movie. According to the plot, the main characters (Shurik, Bunsha, Zina and Ulyana Andreyevna) are going to celebrate New Year's Eve, and the engineer Alexander Sergeyevich Timofeev (Shurik) decides to present his recreated (and modernized) time machine to the guests. Having gone to the XVI century, they find there an aged Georges Miloslavsky, who has been sitting as regent for 25 years instead of Ivan the Terrible, who has run away; the Tsar was so inspired by the profession of Zina and Yakin that he decided to try his hand at filmmaking and went to "Mosfilm" instead of the Tsar's chambers. In an effort to correct the disruption of the course of history, the heroes re-engage the time machine and travel back to the 1970s in search of the Tsar, who dreams of becoming an actor.
4.4Sasha wants to be a star news reporter but is stuck covering community events at the local TV station. However, when she is kidnapped and held captive, she suddenly becomes the story.
1.0Tsai interrupted his pre-production for The River to make this pioneering documentary for Taiwan's nascent AIDS-awareness campaign. Ignoring instructions to 'play down the gay angle', he centres the film on his own very candid conversations with two HIV+ young men. Sadly the identities of the interviewees have to be concealed, and so the freewheeling camerawork focuses most often on Tsai himself; but the sense of rapport between the director and his 'new friends' is palpable and very moving, even to Western viewers already only too familiar with these issues.
10.0Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.