A Film Inspired by Real Events(2019)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Off to School(de)

In July of 2021 there was a flood of catastrophic scope in the Ahrtal Region of Germany. 135 people lost their lives and countless others lost their possessions, their homes, their most treasured mementos. Three years later the reconstruction is progressing slowly. This is an attempt at exploring, what it means to irretrievably lose a part of ones’ past.

The Fall of Communism as Seen in Gay Pornography(en)

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

Home Movies(en)

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

Donosti 2730(es)

A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.

Travelers(tl)

The diaspora of Filipinos around the globe is driven mostly by the economics of supply and demand. The yearning for something better, stability, and self-validation leads a handful of sojourners from the provinces of the Philippines into the arms of one of its former colonial masters — the USA. But what happens when they finally get what they want? And how? Filmmaker Dennis Empalmado explores the musings of Filipino expatriates and hopeful immigrants in "Naglalakbay" (Travelers).

FFG: un retrato(es)

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Unpublished Visions(gl)

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.

Arcadia(en)

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

Im Reich Des Squatters(de)

Panoramas(de)

In 1829 the naturalist Alexander von Humboldt attempted a russian-siberian expedition. Humboldt travelled to obtain a clear view of nature, people and life in this immense country. 2019 naturalists and humanists attempted a transdisciplinary expedition on the trails of Humboldt. To capture the events various cameras were taken along. A non-chronological narration.

The Contact Enigma(en)

Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.

Weeping Rocks(en)

Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails, meticulously counting every butterfly he sees and witnessing the slow erosion of the world. His eccentric, patient research has uncovered patterns of decline that went unnoticed for years, revealing the deep environmental impact of detrimental human activities. As time reshapes the landscape and species fade, Art’s journey becomes a meditation on mortality, change, and the beauty of what remains.

Do You Hear Me?(sh)

A meditative essay.

The Universe of the Manas(ru)

It has been a lifelong dream of Kyrgyz director Melis Ubukeyev to create an elaborate film version of the Kyrgyz national epic 'Manas'. He spent years working with the National Academy of Sciences of Kyrgyzstan to gather material for this film project, which would ultimately remain a dream. However, the director's efforts were not in vain: Not only did he make films in 1962 and 1988 about Manasçı – the revered oral storytellers who have preserved the epic for generations through melodic recitation –, but in 1995, to mark the 1,000th anniversary of 'Manas', he also created a beguiling essay film that not only recounts the epic’s sweeping narrative through a mix of breathtaking imagery and opulent costumes, but also weaves it into a semi-documentary exploration of Kyrgyz history and identity. Once almost impossible to find, the film has recently been restored by the film studio Kyrgyzfilm and uploaded to YouTube in 4K.

Dust of America(fr)

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

The Weight of Sight(no)

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

Stanley Kubrick: One-Point Perspective(en)

Kogonada's visual essay about the formalistice choices of master filmmaker Stanley Kubrick

Linklater: On Cinema and Time(en)

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.