

A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.

A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.
2024-10-15
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0.0A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.
0.0To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
5.5After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
10.0An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
10.0A young man with psychological problems who finds it difficult to separate what is real and what is imaginary.
9.0A Documentary film, following a group of friends going through their college life. with 3 months of filming starting in August 25th to November 1st 2024. most of everything was filmed in Boston. the purpose of the movie isn't to look amazing and have great story telling, but instead its meant to stamp a period in time. so that in 50 years we can look back and notice the human growth in a movie format. I hope you like the movie and thank you for watching :)
0.0A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.
0.0"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
7.0After years away from each other, a mother tries to reconnect with her daughter.
0.0Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
0.0A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.
0.0In this black comedy crime epic, eighth grader Tommy Uris is pushed into a teenage drug dealing business run by his two classmates Frank Newton and Patrick Reynolds after walking in on a drug deal between them. As their business falls apart, so does their trust for each other, and they need to either resolve, or kill each other in the process.
0.0An urban essay film searching for meaning and philosophy: "When you enter an existential crisis, all filters fall. Reality is shaded in low contrast, low key, foggy. Every outside signal grinds down mind and teeth and gets caught in a feedback loop. Every thought is a downward spiral."
0.0Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.
0.0a short exploration of the life of depressive cups...in finnish.
6.4A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
7.0Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.