A Vida em Negativo(NaN)

The Omen(en)

Immediately after their miscarriage, the US diplomat Robert Thorn adopts the newborn Damien without the knowledge of his wife. Yet what he doesn’t know is that their new son is the son of the devil.

Selkie(en)

According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.

DARKMAN(en)

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

I've Soiled Myself Again(en)

A man is confronted by parallel versions of himself as he contemplates his life choices.

Nightmare City(en)

It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed?

Macabre(en)

A sleep paralyzed woman confronts her demons.

The Girl in Kelp(en)

An original ghost story from the rugged coastline of Mendocino County, California. Shot and animated on Super 8 film.

A Thunderbolt for Michelle(en)

A young woman is on the verge of committing suicide when things take an unexpected turn.

You Can Rest in my Garden(en)

Someone finds a dead body in the forest.

Portrait de Rosa, à la française(fr)

Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.

Dead Funny(en)

A lonely mime takes desperate measures in order to find the audience he deserves.

HUNGER(it)

La signora Aetna, (Etna), is bored and boredom can be a dangerous thing for those around you when you are a volcanic goddess.

Pussy Power(en)

It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.

Island Home Country(en)

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Reflejos(es)

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

sissi's mixtape (a guide to love, loss & desperation)(en)

fragments from song lyrics of different artists have given life to this story about love, loss and desperation.

Waves 2(en)

After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.

Maccaia(it)

A Certain Light(xx)

A journey through different processes of capturing light using pinhole cameras (pinhole camera in Super 8 format), accompanied by a cassette recorder during the director residency at Nanolab (Daylesford, Australia). It represents a step between the interior and the exterior, between moving forward and going back. It is about the space the director inhabit, the one she walk through and capture over and over again.

Giochi di latte(it)

Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.