Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.

Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.
2014-11-07
6
6.7In this short making-of documentary, director Nicolas Roeg discusses the production history of the film and the unique qualities of Daphne Du Maurier's story that inspired it, while director of photography Anthony B. Richmond explains the significance of specific scenes, including the notorious sex scene, and how they were shot. Editor Graeme Clifford also discusses his contribution to the film.
0.0In 1984, David Byrne put together a TV special on the Talking Heads for U.K. TV’s Channel 4, a 68-minute mix of live material filmed at Wembley Arena, interviews with the band, TV news clips, commercials and other various bits of found footage and sound.
10.0A brief history of Talking Heads (and how they got here!)
0.0Talking Heads perform at the Montreux Jazz Festival in Switzerland on July 9, 1982. Originally broadcast on Swiss TV and radio.
6.3On December 18, 1980, the American rock band Talking Heads, with guest guitarist Adrian Belew, delivered a fantastic performance at Palaeur Arena in Rome that was filmed for broadcast on Italian TV. Taking place just two months after the release of Remain In Light, that night’s set was heavy on material from that album such as Born Under Punches, Crosseyed and Painless and The Great Curve.
5.0Chronology pulls together live performances from across Talking Heads' career. It starts with their earliest days at CBGB and The Kitchen in New York City in the mid-seventies, through their breakthrough years in the late seventies and on to global success in the eighties. They completed their last tour in 1983 although they would continue to make very successful albums throughout the eighties before officially breaking up in 1991. The DVD concludes with their "reunion" performance of "Life During Wartime" on their induction into the Rock `n' Roll Hall Of Fame in 2002.
An interview portrait of the three Italian actresses Stefania Casini, Silvia Collatina & Barbara Magnolfi.
An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".
A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".
A visual essay about the 5 classic Giallo films by Italian director Sergio Martino.
Documentary about the connection between the three Giallo-esque Spaghetti Western films "KIller Caliber .32", "Killer Adios" and "The Price of Death".
A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.
An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".
A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".
0.0A talking heads documentary about young asylum seekers in the Netherlands, given space to express themselves through art. From poetry and rap to DJing and photography, it follows Auguste as he observes moments where language barriers are broken through the connections that creativity makes possible. Volunteers and organizers also reflect on what it means to create together, to share fragments of identity, to find recognition, and to make life in the asylum center a little more bearable.
An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."
An interview with actress Florinda Bolkan about her performances in the films "Don't Torture a Duckling" and "Lizard in a Woman's Skin".
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
6.8A razor-wielding serial killer is on the loose, murdering those around Peter Neal, an American mystery author in Italy to promote his newest novel.
5.6The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!