“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
1991-09-10
0
7.3The magical tale of a mouse who sets foot on a woodland adventure in search of a nut. Encountering predators who all wish to eat him - Fox, Owl and Snake - the brave mouse creates a terrifying, imaginary monster to frighten them away. But what will the mouse do when he meets this frightful monster for real?
Cartoon short about Quark the troll, this time as a dragonslayer by chance.
Tells the beginning of the story of Quark: His birth and how he is thrown out by his parents due to his malicious behaviour.
5.8Enigmatic, stop-motion, animated story of a man's day.
6.8In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
6.1Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.
6.5A puppet, newly released from his strings, explores the sinister room in which he finds himself.
6.5The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
5.6This short little cartoon is based on the popular song by Jack Rollins and Steve Nelson, first recorded in 1950 by Gene Autry as his followup to Rudolph the Red Nosed Reindeer.
6.8Filmed like the travel journey of a Western traveler in search of Madagascar's customs. The pages turn, the drawings come to life, and the luxuriant landscapes of Madagascar appear one after another.
4.5Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?
5.5Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.
6.2Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.
4.1This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.
6.3Artoo, Threepio and a broken down android are traded into the hands of young miner Jann Tosh. The android turns out to be an alien with amnesia and a price on his head. It is in fact Mon Julpa, prince of Tammuz-an, who has been put in this predicament by the power hungry vizier Zatec-Cha. Jann, the droids, and a female freight pilot named Jessica Meade help Julpa claim his throne, battle the Pirates of Tarnoonga and settle a dispute with Tammuz-an clan leader Lord Toda. Written by Il Tesoro
6.6Mungo Baobab and his droids, Threepio and Artoo, are trailing the Rainbow comets of Manda in search of the fabled Roon system. Before they get there, they make an enemy out of the greedy Governor Koong. On Roon, they meet Auren Yomm and join her Umbo racing team in the Roon Games. Mungo takes up his old uncle Ogger's quest of finding the source of the valuable Roonstones. Meanwhile, Koong uses germ warfare against the rebellious province of Umboo and it becomes a race against time to find a cure for the Rooze infection. Written by Il Tesoro
6.4With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.