
For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.

For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.
2010-01-01
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7.4Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
This film describes some of CC’s success stories and gives insight into where we’re headed.
6.8NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
10.0Paywall: The Business of Scholarship is a documentary which focuses on the need for open access to research and science, questions the rationale behind the $25.2 billion a year that flows into for-profit academic publishers, examines the 35-40% profit margin associated with the top academic publisher Elsevier and looks at how that profit margin is often greater than some of the most profitable tech companies like Apple, Facebook and Google.
CC’s signature animated film covers the basics of why we formed, what we do, and how we do it.
6.1Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.
0.0The new and restored documentary introduces visitors to the early life and works of O’Neill, his troubled family relationships, and the role the cottage played in his dramas. The original film won a Grand Prize “AMI” Award for Best Documentary at the Association of Multi-Image International Festival in 1982.
6.7Arctic Tale is a 2007 documentary film from the National Geographic Society about the life cycle of a walrus and her calf, and a polar bear and her cubs, in a similar vein to the 2005 hit production March of the Penguins, also from National Geographic.
0.0A behind-the-scenes documentary about the making of the Scottish Indie feature film Lost at Christmas (2020). The stars and filmmakers take us on their journey from script to screen as the world braces itself for a global pandemic.
0.0Svenskarna (The Swedes) is a folk fusion band whose members are four middle-aged Swedish actors with roots from Turkey, Russia, Uganda, France and Spain. Manolo Diaz Rämö starts filming them in his search for answers regarding his own conflicting feelings about identity and belonging. —Manolo Diaz Rämö
0.0A priests work is never done. In Clean Heart we get to know Kristinn Ágúst Friðfinnsson a priest in the town of Selfoss. While fulfilling the various duties of priesthood he still has his own demons to deal with.
10.0Since the discovery of America onward, the use of cacao has kept evolving across time and space. Currency or sacred drink for the Mayas and Aztecs, it became a medicine or aphrodisiac for the Europeans.
10.0A group of friends explores the area surrounding their Midwestern homestead
3.4A look at global sex tourism, focusing on the situation in Venezuela and Thailand.
8.0An account of the life of the French poet Jean de la Fontaine (1621-95), author of more than one hundred fables and a model for many other European fabulists of later times.
6.9More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.
5.5An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
0.0Lucile Chaufour’s Love & Crashes takes us for an unforgettable ride in partnership. With a mixture of fictional and documentary techniques, the film immerses us in the universe of sidecar racing, paying attention to the peculiarities of a vehicle driven by a magical alliance between pilot and passenger (or as it is known in sidecar jargon, 'monkey'). Aided by a dreamy musical score and Hélène Louvart’s deft cinematography, Love & Crashes explores technique and sensuality, control and spontaneity, the physical and the mental, speed and care.