Serpent's Lullaby(2014)

Close to Home(he)

Smadar (Smadar Sayar) and Mirit (Naama Schendar), both 18 years old, are assigned to patrol the streets of Jerusalem together as part of their military service. Worlds apart in their personality their initial frosty relationship changes to friendship as they deal with their own emotional issues, the crushes and break-ups in their love lives, as well as the political realities.

Staying Together(en)

After their father abruptly sells the beloved family-owned restaurant that has employed them for years, the charismatic McDermott boys - hot-tempered Brian (Quill), lovelorn Kit (Mulroney) and jokester Duncan (Astin) - find themselves at odds with their parents and each other.

The Neanderthal Man(en)

A scientist develops a formula which will cause animals to regress to the form of their primitive ancestors, and tries it on himself with disastrous results.

Já už budu hodná(cs)

I Don't Know(en)

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

The Scream(pl)

A woman just out of prison gets a job in a nursing home and tries, unsuccessfully, to put her life back together.

Brittle(nl)

The parents of five sisters have been married for forty years; the daughters have gathered in the family beach house to make a video for them. The encounter is marked by many confrontations as well as cheerful moments. Reminiscent of the sweet children's poems that mother recited are countered by Elsschot's Marriage: 'He thought: I'll kill her and set light to the house...' It also turns out that father had once disappeared for eighteen months, a 'secret' that the daughters have different ideas about. Brittle, an intimate film version of a play written and performed by the same actresses, is about rivalry in a family, the right to silence, but also about the need for solidarity. At the Netherlands Film Festival in 1997 the Golden Calf for Best Actress was awarded to the five actresses together.

Brace(en)

On his first foray out onto London's thriving gay scene, newly single Adam meets Rocky, a handsome and mysterious drifter, with whom he shares an instant and undeniable chemistry. From the outset, Rocky is eager to reveal more of himself than Adam is ready for, and so the two maintain an uncomfortable pact of silence. As the pair grow closer, something has to give, and the truth about Rocky is explosively revealed. As the dust settles, the men are left to decide whether they can find acceptance in each other, by facing the truth about themselves.

Měsíční víla(cs)

Amreeka(en)

Eager to provide a better future for her son, Fadi, divorcée Muna Farah leaves her Palestinian homeland and takes up residence in rural Illinois -- just in time to encounter the domestic repercussions of America's disastrous war in Iraq. Now, the duo must reinvent their lives with some help from Muna's sister, Raghda, and brother-in-law, Nabeel.

Camping with Ada(no)

Romanian Ada faces the summer working as a prostitute with her aunt at a Norwegian camping site. When she encounters Henriette, a Norwegian girl, it sets a spark in her dream of a better life. Ada tries to push away reality, but as night falls the two worlds starts colliding.

The Open House(en)

A teenager and his mother find themselves besieged by threatening forces when they move into a new house.

Killjoy 2: Deliverance from Evil(en)

In this sequel, two juvenile detention officers must escort a group of criminally-inclined urban kids to the country where they are being forced to renovate a shelter for teens as punishment for their crimes. After one of them is shot by a local, the survivors seek refuge in the home of a voodoo woman, where they mistakenly summon legendary clown-faced demon Killjoy who begins hunting them down one by one.

Berkshire County(en)

Kylie Winters, a bullied and self-loathing teen, reluctantly agrees to babysit at an isolated country mansion on Halloween night. When a small boy in a pig mask appears at the door trick-or-treating, Kylie's night transforms into a horrifying and violent cat-and-mouse game. She must go beyond what she ever thought possible if she and the children are to survive the night.

Sweeney Todd: The Demon Barber of Fleet Street(en)

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

Slumber Party Massacre II(en)

Courtney is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that the murderous monster is reincarnated as an evil rocker.

Slumber Party Massacre III(en)

After a hard day of volleyball at the beach, a teen whose parents are away decides to have a slumber party with her girlfriends. Their boyfriends predictably show up to scare them, but a stranger from the beach is also seen lurking around the house. Soon the group begins experiencing an attrition problem.

Stripped to Kill(en)

A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.

Stripped to Kill 2: Live Girls(en)

When the razor blade slasher begins his reign of terror in the alleys behind the Los Angeles strip clubs, the most famous stripper in the spotlight must walk a tightrope between her own fragile sanity and the inescapable murderer's blade.

Pretty Bloody: The Women of Horror(en)

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.