Ainom(2012)

Insistir(es)

A documentary about the sea and memory. Its movement is its form. Its strength.

Every Moment of You(es)

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

Luces en la caverna(es)

Elena, an elderly pianist, faces the early stages of Alzheimer’s while clinging to the routines of her daily life. With the support of Nuria, her young companion, she discovers that even in fragility, music, affection, and the struggle not to fade away still endure.

Si está en su memoria, podemos llevarle(es)

Luz ámbar(es)

Memory is an image projected onto the smoke of emotions.

Nos vemos a la vuelta(es)

Las aspirantes(es)

A story that explores the role of women in the Malvinas War. The protagonist, leader of a group of veteran nurses, commits suicide while this documentary is being filmed. Her companions took on her legacy and continue the fight for recognition in the face of the silence of history and the Argentine Navy.

O Rizo(gl)

Cuarto Oscuro(es)

Cinema Berlín(es)

Lo Que Queda en la Tierra(es)

In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.

As if it was the last one(es)

A voice says, “Start the car, I killed him!”, and a car speeds away. A basketball court, a family table, a school, and a public plaza begin as ordinary, empty spaces, gradually filling with life—though always marked by an absence. This short film retraces the life of Franco Castro López, a 16-year-old who enjoyed everyday life with his family and friends, doing what he loved and moving through the places he called his own. As national news outlets begin reporting on the deaths of several young people whose families are demanding justice, Franco’s case resurfaces. Through news footage, home videos, testimonies, voices, and photographs, a story once silenced becomes visible again. More than ten years after his killing, his face still covers the walls of Mar del Plata—carrying the hope that he was the last.

Las casas de mi abuelo(es)

Raíz y Miajas(es)

Jogado na Nuvem(pt)

Yvera(es)

L’ultimo a morire(it)

Ojalá pudiera decir la verdad(es)

After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983

El Olvido(es)