Life After(2017)

Adam(en)

Adam is a factory worker. He falls in love with Chris, a slightly older man. Instead of strengthening his own identity, Adam is unable to cope with his sexuality and suffers a nervous breakdown. One of the first representations of gay men in Australian cinema and an iconic piece of LGBTIQA+ film history.

Aire libre(es)

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

The Farewell Party(he)

A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma

Anabel(es)

Young Anabel mistakes a woman for her dead mother.

Blackbird(en)

Seventeen-year-old Randy tries very hard to be a good person. Since his father left, Randy takes care of his emotionally disturbed mother, and he's the kind of friend all of his classmates can depend on. As strong as he seems on the outside, Randy is hiding a secret inner struggle and denial of his true self. It's not until he opens himself up to love that he discovers that becoming a man means accepting who you really are.

Abatarō Sentai Donburazāzu Supin-Ofu: Kore ga Donburazāzu no Nanori da! Abatarō no Honto no Sugata!?(ja)

For Dorian(en)

A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.

Adult Beginners(en)

A young, hipster entrepreneur crashes and burns on the eve of his company’s big launch. With his entire life in disarray, he leaves Manhattan to move in with his estranged pregnant sister, brother-in-law and three year-old nephew in the suburbs — only to become their manny. Faced with real responsibility, he may finally have to grow up — but not without some bad behavior first.

Dukhtar(ur)

In the mountains of Pakistan, a mother and her ten-year-old daughter flee their home on the eve of the girl's marriage to a tribal leader. A deadly hunt for them begins.

Flapping in the Middle of Nowhere(vi)

When they discover that they are pregnant, a young couple in Hanoi resort to desperate (and bizarre) measures to raise money for an abortion.

Second Coming(en)

A married, middle-class London couple are shocked when they seem to have been blessed — or cursed — with an immaculate conception.

Stories of Our Lives(en)

Created by the members of a Nairobi-based arts collective — who have removed their names from the film for fear of reprisal — this anthology film that dramatizes true-life stories from Kenya’s oppressed LGBTQ community is both a labour of love and a bold act of militancy.

Lust(no)

A sister and a brother and the fear of fornication.

The Voyage(sv)

The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to. Astrid also faces a more dark and hostile world on board as she discovers that the staff has put in system to reject unwanted passengers such as Romans and Jews.

Maniacs(sv)

A girl goes to visit her sister who has been impossible to reach since being released from a psychiatric ward. When she arrives, things are much worse than she could have imagined. But to her surprise, her sister claims that she has never been happier since she turned her back on the outside world.

Shelter(en)

Hannah and Tahir fall in love while homeless on the streets of New York. Shelter explores how they got there, and as we learn about their pasts we realize they need each other to build a future.

Cross-Legged, As We Sat Through Time(en)

A visual poem exploring female relationships and intimacy. A journey across the different stages of a friendship that emphasizes both the unique fragility of female bonds and the extent in which they impact our identity as women. Cross-legged was shot combining different formats, both digital and film

Out of the Blur(cn)

14 vignettes without dialogue.

Partenza(hr)

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.