Fatiya(2019)

Aire libre(es)

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

The Farewell Party(he)

A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma

Anabel(es)

Young Anabel mistakes a woman for her dead mother.

White Girl(en)

Debbie, a working class single mother from Leeds, moves her family to Bradford, where they find themselves in an ethnic minority. Daughter Leah must adapt to being the only white girl at school.

Abatarō Sentai Donburazāzu Supin-Ofu: Kore ga Donburazāzu no Nanori da! Abatarō no Honto no Sugata!?(ja)

For Dorian(en)

A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.

Dukhtar(ur)

In the mountains of Pakistan, a mother and her ten-year-old daughter flee their home on the eve of the girl's marriage to a tribal leader. A deadly hunt for them begins.

Flapping in the Middle of Nowhere(vi)

When they discover that they are pregnant, a young couple in Hanoi resort to desperate (and bizarre) measures to raise money for an abortion.

La Salada(es)

Three intertwining stories that take place in La Salada — the largest unregulated market in Buenos Aires: a Korean father prepares his daughter for an arranged marriage, a young Bolivian man searches for work, and a Taiwanese DVD seller tries to woo a young woman to be his girlfriend.

Second Coming(en)

A married, middle-class London couple are shocked when they seem to have been blessed — or cursed — with an immaculate conception.

Lust(no)

A sister and a brother and the fear of fornication.

The Voyage(sv)

The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to. Astrid also faces a more dark and hostile world on board as she discovers that the staff has put in system to reject unwanted passengers such as Romans and Jews.

Maniacs(sv)

A girl goes to visit her sister who has been impossible to reach since being released from a psychiatric ward. When she arrives, things are much worse than she could have imagined. But to her surprise, her sister claims that she has never been happier since she turned her back on the outside world.

Three Summers(da)

Jørgen lives abroad, but every summer he comes back to Denmark with his wife. He invites, as usual, his neighbours and their teenager son, Thomas, for dinner at his place. Only, this time there is a strange tension in the air between the adults. After dinner, Jørgen and Thomas go to the beach for a walk. They discover that both have secret problems, and the fact they cannot talk about them is creating great stress. As they disclose their secrets to each other, a friendship starts. But through the course of the next two summers their relationship develops in a way they would never have expected.

Cross-Legged, As We Sat Through Time(en)

A visual poem exploring female relationships and intimacy. A journey across the different stages of a friendship that emphasizes both the unique fragility of female bonds and the extent in which they impact our identity as women. Cross-legged was shot combining different formats, both digital and film

Out of the Blur(cn)

14 vignettes without dialogue.

Partenza(hr)

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

Cart(ko)

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

Julian H. entführt – Qualen einer Mutter(de)

The day after his abduction, a nine-year-old boy is found seemingly unharmed, but he has suffered severe trauma as a result of his time in the hands of his abductor. He distances himself from his mother and refuses to give any information about the perpetrator.