
Ground breaking music videos from some of the most influential bands of the 90s Punk/Grunge scene such as the Flaming Lips, Mudhoney, Bad Brains, Afghan Whigs, Foetus Inc, Soul Asylum, American Music Club, Babes in Toyland, Dinosaur Jr and more.

Ground breaking music videos from some of the most influential bands of the 90s Punk/Grunge scene such as the Flaming Lips, Mudhoney, Bad Brains, Afghan Whigs, Foetus Inc, Soul Asylum, American Music Club, Babes in Toyland, Dinosaur Jr and more.
2004-04-13
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6.0When a punk band scores their first tour, life on the road proves tough when they are joined by a man-eating demon as a roadie.
4.0Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
0.0Founded by Superchunk's Mac McCaughan and Laura Ballance in 1989, North Carolina’s Merge Records quickly grew to become one of America’s essential indie labels. From supporting their fertile local indie rock scene to launching international stars, for 25 years Merge has carved out uncompromising success by staying true to its independent roots. Google Play is proud to celebrate 25 years of Merge Records with this exclusive documentary and series of covers of Merge classics by Merge acts including Superchunk, the Mountain Goats, Telekinesis and more.
5.0A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
0.0By November of 1980, the B-52’s had two albums under their belt and were two months away from their debut Saturday Night Live performance. The New Wave band were quickly rising to national fame, and they were still touring with the original lineup which consisted of frontman Fred Schneider (who in this set’s liner notes is credited as playing both the glockenspiel and “various toys”), Cindy Wilson, Ricky Wilson, Kate Pierson and Keith Strickland.
8.3More than two-dozen music-videos directed by filmmaker Mark Romanek (One-Hour Photo) are collected together in this compilation from Palm Pictures. Among the songs featured in The Work of Director Mark Romanek are "Novocaine for the Soul" by Eels, "99 Problems" by Jay-Z, and "Hurt" by Johnny Cash.
8.0In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
6.1The tale of the formation, journey and end of the seminal Punk/Reggae band The Slits.
8.5A look at the work of director Michel Gondry, through his music videos, short films, and commercials.
6.5This collection features all of New Order's groundbreaking videos, including 'Bizarre Love', 'Triangle', 'Blue Monday' and 'True Faith' plus alternate versions and brand new videos for 'Temptation' and 'Ceremony' created just for this compilation. It also includes the latest video from their current album - the title track 'Waiting for the Sirens Call'. Tracklist: 'Ceremony', 'Confusion', 'The Perfect Kiss', 'Shellshock', 'State of the Nation', 'Temptation', 'Bizarre Love Triangle', 'True Faith', 'Touched By the Hand of God', 'Blue Monday', 'Fine Time', 'Round & Round', 'Run', 'World in Motion', 'Regret', 'Ruined in a Day', 'World', 'Spooky', '1963', 'Crystal', '60 Miles an Hour', 'Here To Stay', 'Krafty', 'Jetstream' and 'Waiting for the Sirens' Call'.
0.0Punk princes UK Subs rock the Retford Porterhouse in Manchester, England, for these two concerts in 1983. The collection also includes a UK Subs appearance at the Manchester Gallery and footage of frontman Charlie Harper's side project, Urban Dogs. The explosive performances include "Violent Revolution," "Flood of Lies," "Scum of the Earth," "In the Red," "Dress Code," "Warhead," "Revenge of the Jelly Devils," "Dress Code" and more.
0.0Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.
8.1In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).
7.6Hailed as one of the most innovative and intimate documentaries of all time, experience Kurt Cobain like never before in the only ever fully authorized portrait of the famed music icon. Academy Award nominated filmmaker Brett Morgen expertly blends Cobain's personal archive of art, music, never seen before movies, animation and revelatory interviews from his family and closest friends.
7.7Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
7.9The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.
5.8A self-destructive punk rocker struggles with sobriety while trying to recapture the creative inspiration that led her band to success.
5.0This documentary film traces the entire history of New York's punk movement; the VU years, the Warhol influence, the Dolls reign, and the handover of power to the bands who shared the sensibilities and attitude introduced to the city by Warhol and the Velvets a decade before. With the aid of performance footage, rare archive, exclusive interviews and some of the most exciting music ever recorded, this programme offers an experience of these events second only to having lived through them. Features new interviews with Richard Hell, Suicide's Alan Vega, Blondie's Gary Valentine and many more.
7.5Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.
7.0"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.