While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.
While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.
1978-01-01
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8.0For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
0.0The early retired Gert spends the last summer in his garden, a place that has become a real home for him. The garden will be demolished to create a shopping center on its grounds. The only thing Gert can do is remember memories of happy times he spent with his family in the garden.
8.0This documentary tells the story of the revitalization of the Longwood Garden's (Kennett Square, Pennsylvania) Main Fountain Garden, a lavish jewel in the crown of one of the greatest collections of fountains in the United States.
0.0Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.
10.0A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.
0.0In 1947, Yugoslav President Josip Broz Tito visited, for the first time, Romania. Its communist regime gave him, as present, a painting from a great Romanian artist Ion Andeescu: 'The Leafless Forest'. In the 60s, a young art critic, Radu Bogdan, decided to elaborate a monograph dedicated to the great painter, including reproduction of the painting given to Tito. After countless problems, he obtained the permission to photograph the painting. The moment they took the painting off the wall, they found - a microphone. Somebody was spying on Tito...
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
8.0The most popular children's magazine in Yugoslavia was called Modra lasta (Blue Swallow). In 1969, it created Lastan. For hundreds of thousands of children Lastan was a mythical hero who helped unhappy and confused little souls. Each child imagined him differently and felt confident to share with him what they could not confess to anyone else: Dear Lastan, I kissed him, am I pregnant?; Dear Lastan, I fell in love with a boy from my class... For decades Lastan was a legend and the best kept secret in journalism. This film, for the first time after almost five decades, reveals his true identity.
7.0Petar Peca Popović is one of the greatest, most famous, most authoritative and for sure, the best, connoisseur of Rock and Roll in the former Yugoslavia. He promoted Rock and Roll in those heroic times. We are going on a peculiar kind of trip with him, along an "emotional homeland", of ex-Yu, "searching for the lost times" and dear friends, the most significant representatives of this culture - rock'n'roll legends.
8.990-year-old architect Shuichi Tsubata and his 87-year-old wife Hideko live in Aichi Prefecture. Their garden is bursting with 70 types of vegetables and 50 types of fruits, and they live in harmony with nature.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
6.2Filmed in Belgrade in 1962, Parade documents the city’s engagement with the annual May Day celebration by largely ignoring the formal procession. Instead, Dušan Makavejev records the informal moments surrounding it: workers, officials, wanderers, and organizers negotiating space, hierarchy, and appearance. Shot with a detached, humorous eye, the film assembles a mosaic of everyday behavior that reveals the contrast between official ceremony and lived social reality.
0.0Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.
7.2Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
8.0Film director Branko Belan follows the journey of fishermen as they set out to catch tuna around the Velebit Channel.
8.0Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.
5.8A teenager arrives from Germany to his grandparents in Novi Sad. He can't adjust to Yugoslavian schools, system or slow way of life, so he asks his folks to go back, but his parents insist on him staying. What now?
A documentary-narrative film which looks at real events and personal phenomena of artist Zarko Lausevic. "Laush" above all tells a story of an evil time we've all been through, represents both sides and is made with empathy and respect towards everyone involved in the tragic incident. Through recreations, narration, memories of colleagues and quotes from the book "A Year Passes, a Day Will Never Pass" which the artist wrote during the hardest stage of his life, the weight of his fate is presented. The aim of this project is to portray the life of brilliant actor, who in the midst of great fame, disappeared from the scene through the cruelty of dubious times.