
A 25 Year Old Gay Man Loses His Virginity to a Woman(1990)
"This tape is an exploration of my latent heterosexuality with porn star / performance artist Annie Sprinkle as instructor and sage. After assuaging my fears that I can have sex with a woman & still maintain my gay identity, Annie warms me up with some playful, sensual wrestling. She then instructs in the use of a tampon while relating men's need to make war with their inability to menstruate. For the rest of the tape, she guides me through the specifics of sexual exploration, positions of coital congress as well as post- coital ritual."
Movie: A 25 Year Old Gay Man Loses His Virginity to a Woman
Top 2 Billed Cast
Himself

A 25 Year Old Gay Man Loses His Virginity to a Woman
HomePage
Overview
"This tape is an exploration of my latent heterosexuality with porn star / performance artist Annie Sprinkle as instructor and sage. After assuaging my fears that I can have sex with a woman & still maintain my gay identity, Annie warms me up with some playful, sensual wrestling. She then instructs in the use of a tampon while relating men's need to make war with their inability to menstruate. For the rest of the tape, she guides me through the specifics of sexual exploration, positions of coital congress as well as post- coital ritual."
Release Date
1990-11-13
Average
1
Rating:
0.5 startsTagline
Genres
Languages:
Similar Movies
6.0Chinese Viola(pt)
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Lampedusa(it)
Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based on a series of real events. In 1831, a volcanic island suddenly erupted from the sea a few kilometers off the southern coast of Sicily. An international dispute ensued, as a number of European powers laid claim to this newfound “land”. The island receded below sea level six months later, leaving only a rocky ledge under the sea…
3.860 Seconds of Solitude in Year Zero(en)
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
5.4Thot-Fal'N(en)
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
6.6idizwadidiz(en)
Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.
0.0Age 12: Love with a Little L(en)
This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.
Adrift(no)
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
0.0Transitions(en)
A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.
0.0Worm and Web Love(en)
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
0.0City Streaming(en)
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
0.0Marilyn's Window(en)
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
0.0Confession(en)
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
0.0Flight(en)
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
0.0Babylon Series #2(en)
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
0.0Babylon Series #3(en)
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
0.0The Island(en)
The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics. The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.




