Within(NaN)

Adam(en)

Adam is a factory worker. He falls in love with Chris, a slightly older man. Instead of strengthening his own identity, Adam is unable to cope with his sexuality and suffers a nervous breakdown. One of the first representations of gay men in Australian cinema and an iconic piece of LGBTIQA+ film history.

Luperca Returns(en)

Luperca has lost her way. After years of being in control and on the prowl, her sense of dominance has diminished significantly. Her powers drained, she lives a mundane existence. A commoner amidst the world of prey she once knew. Suddenly, a stranger arrives with promises of reviving her former self. Someone with the possibility of reinvigorating Luperca's dominance. But, at a cost... In the process, true intentions are revealed and Luperca fights back to reclaim what is hers.

Fungi(en)

As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.

Anabel(es)

Young Anabel mistakes a woman for her dead mother.

Falling in Love Like in Movies(id)

Bagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just like in the movies.

Abatarō Sentai Donburazāzu Supin-Ofu: Kore ga Donburazāzu no Nanori da! Abatarō no Honto no Sugata!?(ja)

For Dorian(en)

A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.

Lust(no)

A sister and a brother and the fear of fornication.

The Voyage(sv)

The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to. Astrid also faces a more dark and hostile world on board as she discovers that the staff has put in system to reject unwanted passengers such as Romans and Jews.

Maniacs(sv)

A girl goes to visit her sister who has been impossible to reach since being released from a psychiatric ward. When she arrives, things are much worse than she could have imagined. But to her surprise, her sister claims that she has never been happier since she turned her back on the outside world.

Evidence(en)

When Florette, a popular actress, and her friend Edith become rivals for the love of Walter Stanley, a leading man, Florette sacrifices her feelings for the other girl. Three years later, Phillip Rowland, a young aristocrat, falls in love with Florette. When Edith intrudes in her affairs, Florette--although she fears unhappiness will result because of their differing social positions--decides to marry Rowland regardless of the consequences. Rowland stands by his wife, although she is snubbed by his family, but when Edith conspires with Walter Stanley to place Florette in a compromising position, Judge Rowland accepts circumstantial evidence as truth and plans for a divorce. Florette, however, cleverly puts her brother-in-law on the defensive; making amends, he has her reinstated in the family's good graces. A lost film.

Cross-Legged, As We Sat Through Time(en)

A visual poem exploring female relationships and intimacy. A journey across the different stages of a friendship that emphasizes both the unique fragility of female bonds and the extent in which they impact our identity as women. Cross-legged was shot combining different formats, both digital and film

Out of the Blur(cn)

14 vignettes without dialogue.

Scars of Jealousy(en)

Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.

Partenza(hr)

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

Tarek Al Amal(ar)

Sunniyeh, the poor girl, lives with her mother sewing, and during the delivery of Suniyeh one of her mother's clients ’gowns, who runs a den of immoral acts, called (Madame Southi), so that one of her friends admires Sunnah and asks her to work with them, to refuse, but her mother is ill and Layla needs a sum of money to treat her. Will you give in to work with Madame Southi?

Popsy(fr)

In this adaptation of a Stephen King short story, Weber’s addiction to poker leads him into deep trouble. Forced to cover his debt to Mr Rudy, he reaches a point of no return.

Insomnia(en)

In the solitude of night, the veil of reality slips away to reveal our deepest fears.

Bit of Fear(ar)

Based on Tharwat Abaza's short story, 'Shey min al Khawf' takes place in a rural Egyptian village. Atris' reign of terror on the villagers is put to the test when a public act of defiance is carried out by Fu'ada, the object of his affection.