The surviving 14 minutes of the original documentary about the Villas Boas expedition to the Amazonian tribes in Brazil.
himself
himself
7.0UFO experts claim that after the explosion of the bombs on Hiroshima and Nagasaki, there was an increase in the number of sightings of UFO'S (Unidentified Flying Objects) worldwide. Just over two decades later, the Brazilian medium Chico Xavier confided to close friends that when man reached the moon on July 20, 1969, happened a meeting with the celestial beings of our solar system to check the progress of humanity. They decided to grant a period of 50 years for humanity to evolve morally and live in peace, without provoking a third world war. If we live in peace until the Deadline, humanity would be ready to enter a new era of its existence, and magnificent feats would be checked everywhere, including our brothers from other planets would be expressly authorized to present themselves publicly and officially to Earth's residents.
6.8City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
4.0The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.
7.4Cássia Eller Rejane. Cássia Eller. Cássia. A powerful restless force on stage, shined herself out of it. One of the greats of Brazilian music, Cássia Eller marked the 1990s and shocked the country with her early death in 2001. A film about the singer, the mother, the woman who exposed her personal life and broke barriers, leaving a beautiful social and artistic legacy.
7.6In 1977, BBC music presenter Bob Harris was given exclusive and extensive access to the Queen. Conducting insightful interviews with all four band members as well as filming them at work in the studio as they were planning and rehearsing their forthcoming North American Tour, and then following them as they performed across the US, Bob captured a band attempting to replicate their huge domestic success on the global stage. To mark the 40th anniversary of the release of the News of the World album, the footage has now been carefully restored and revisited to compile this hour-long portrait of a group setting out to take the next step on their remarkable journey to becoming one of the biggest bands on the planet.
10.0Ebony Goddess: Queen of Ilê Aiyê follows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women.
0.0In the process of remastering Albert Falzon's 1972 classic film, Morning of the Earth, 90 minutes of never-before-seen 16mm camera original outtakes were unexpectedly unearthed. Because of the wealth of this material, a 38-minute film was produced. Getting back to where it all began, this artistic showcase of the “Lost Reels” paints a more complete picture of the filmmaker's journey, and reveals culturally, environmentally and socially significant details of a forgotten past. The film covers Australia, Bali and Hawaii, and is accompanied by an all original soundtrack.
0.0This short documentary captures the history and the current state of decay of the Cine Brasília: a movie theater founded in 1955 that became an important cultural fixture in the town of Carazinho, Brazil. In the 2010s, it turned into one of the last independent movie theaters in the brazilian south due to its steadfast owner, who refused to let his family business die out.
0.0Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.
6.7A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
7.3One of the greatest neuroscience breakthroughs is having discovered that babies are far more than a genetic load. The development of all human beings lies on the combination of genetics, the quality of the relationships and the environment they are set on. The Beginning of Life invites everyone to reflect: are we taking good care of this unique moment, which defines both the present and future of humankind?
6.0Chacrinha's legacy on TV and excerpts from his personal life are revealed through testimonials and archive images, which tell the story behind the cameras, the behind the scenes that consolidated a new way of communicating Brazil and the facets of a man who is one of the most interesting contemporary characters on the national cultural scene.
8.2Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
7.0Marco ‘Curumim’ Archer’s life changed abruptly when police at Jakarta airport seize 13.5 kilogrammes of cocaine hidden in his hang-glider. At first he manages to escape, hiding out in Indonesia for sixteen days before being arrested and sentenced to death. Eleven years later, on 17 January 2015, he was executed for drug dealing.
0.0In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.
7.6The work mediated by digital apps and platforms is growing worldwide. But the advance of the “gig economy”, called in Brazil “uberization”, has aroused debates about the precariousness and intensification of work.
6.8Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.
8.1A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
