Matouqin Nocturne(2007)

Four Journeys Into Mystic Time: Trans(en)

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.

Waiting(en)

Short experimental film based on the theme of waiting, and how with time good things will come.

Delfathoma(en)

Loosely inspired by H.P. Lovecraft's short story 'Beyond the Wall of Sleep', this film follows Jude Slater, a man who has recently inherited the house of an important figure in the town of Freasdal. What horrors lay in wait beneath the foundations of the home have yet to be seen.

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Puppets & Demons(en)

An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.

Woolgathering(en)

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

Earth(it)

When I wake will I be someone else?

Le Défilé(fr)

"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.

Doppelgänger(pt)

A film student goes to sleep and wakes up in a world similar to German expressionism, but the beings in that world have similarities with the girl.

Consumed(en)

A parable of fire and grace, hand-scratched on 16mm, frame-by-frame.

Casta Diva(xx)

In a series of long held shots, men are observed performing simple tasks in real time, while on the soundtrack we hear excerpts from opera.

Phantasy(en)

A fantastic fashion show with the most marvelous sights the screen has ever seen!

The Order of the Orchid(en)

A lonely spinster's failed attempt at arranging flowers summons an ominous shadowy figure who sends her into a psychedelic netherworld to confront her own mediocrity.

Apocalypse After(fr)

An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.

A Fugue(en)

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Magnética(pt)

In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.

Marblehead(en)

An eccentric man advertises for a roommate. A golem called Marblehead seems suitable. There are consequences.

Neverwhere(en)

A meek office worker finds himself flung into a fantasy world as a naked muscleman. An early version of the Den character, known from the comic magazine Heavy Metal and the movie by the same name.

Tympanum(pt)

Apple Pie(en)

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.