African masks in performance: The spectacular masks of the Winiama people in the rural village of Ouri, in Burkina Faso, perform to reenact the encounters between the village ancestors and the spirits of the wilderness. This video emphasizes performance. There are lots of long takes of individual mask's performances from start to finish, with musical accompaniment, crowd reaction. Professor Roy has taught African art history at the University of Iowa for thirty years, and he has been doing research in Burkina Faso for thirty-seven years. He recently published The Land of Flying Masks: Art and Culture of Burkina Faso (Munich: Prestel, 2007).
African masks in performance: The spectacular masks of the Winiama people in the rural village of Ouri, in Burkina Faso, perform to reenact the encounters between the village ancestors and the spirits of the wilderness. This video emphasizes performance. There are lots of long takes of individual mask's performances from start to finish, with musical accompaniment, crowd reaction. Professor Roy has taught African art history at the University of Iowa for thirty years, and he has been doing research in Burkina Faso for thirty-seven years. He recently published The Land of Flying Masks: Art and Culture of Burkina Faso (Munich: Prestel, 2007).
2006-01-01
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6.2A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
6.5Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.
7.3There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.
0.0For decades, the countries of the African Sahel region have been targets of colonialism and exploitation by France and other Western powers. This documentary addresses the popular resistance and new paths of development forged by Burkina Faso, Niger, and Mali after experiencing civil and military uprisings in recent years. The film explores the popular resistance that sustains the revolution in the three Sahel countries and was made after extensive coverage of the ongoing social dynamics and geopolitical disputes.
6.8Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.
6.8The hilarious and bizarre story of Frank Sidebottom, the cult British comedian in a papier mâché head, and the secretive life of Chris Sievey, the artist trapped inside.
8.0This second episode of the Covidland series, The Mask, uncovers the real science behind face coverings and exploreds the physical and mental health impacts of facemasks.
8.4Thomas Sankara, former president of Burkina Faso, was known as "the African Che", and became famous in Africa due to his innovative ideas, his devastating humor, his spirit and his altruism. More than a classic biography, this film sheds light on the impact that this man and his politic made on Burkina Faso and Africa in general.
8.0Godzilla… Predator… Robby the Robot… The Gill Man… These are some of the most iconic characters in cinema, but many people still don't know about the incredible actors who bring these creatures to life!
A Brazilian performance artist Vanesa Cardoso living in Newfoundland, Canada explores the figures of her Pochinko clown, discovering a desire to expose the comedy of our deepest vulnerabilities - the very ones that make us human. A creative journey through Richard Pochinko's seven masks and six directions, Vanessa reveals her clown while musing on the personal drive and struggles that inspire her art.
7.5How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
7.0Based on powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, this documentary is accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
0.0In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits an Aboriginal band, the Atikamekw of northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.
9.0In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
4.7You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it's over, you are changed, abandoned, and left wondering what is real and what was merely a game.
The life story of Daniel Balimá, a horticulturist with a disability in Burkina Faso.
0.0A priestess in “Serafisk Sang”, virginal in “Pastorale”, botanic in “Sommertanz” and finally a witch in “Hexentanz”, Mary Wigman is a woman-flower, goddess and a prophetess in turn. Her jerky, sombre and introspective movements proudly claim the expression of the free body. We are at the end of the roaring twenties and Mary Wigman provoked a real revolution in the world of dance.
0.0Germany holds the largest collection of Cameroonian cultural objects in the world in its Ethnological museums. One important piece is 'Mandu Yenu' the Royal Throne of Bamum, a striking work adorned with glass beads and cowrie shells, also known as the Pearl Throne. What should be done with this masterwork and other pieces overshadowed by their colonial heritage?
0.0A hard-hitting public information film made at the height of the Great Influenza 1918-18.