
After the success of Pontianak, Balakrishna Narayana Rao (B. N. Rao) directed and released a sequel to his horror film – Dendam Pontianak. It came out in the same year as Pontianak, and Menado reprised her role in this sequel.

After the success of Pontianak, Balakrishna Narayana Rao (B. N. Rao) directed and released a sequel to his horror film – Dendam Pontianak. It came out in the same year as Pontianak, and Menado reprised her role in this sequel.
1957-08-31
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0.0It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
5.0On November 18th 2011 a small Danish film crew disappeared in the woods of northern Sweden without a trace. One year later, their footage was leaked by a hacker group now known as Pandoras. This is the crew's unsettling and disturbing footage.
0.0A reformed criminal is blackmailed when three girls are murdered.
A woman rents a mansion to use as a halfway house for delinquent girls but a killer shows up.
5.2Spy spoof about a double agent involved in a phony death plot. Episode of the Wide World of Mystery.
0.0A mystery novelist meticulously creates an alibi to keep her husband from being convicted of murder.
0.0A poor man refrains from proposing to the woman he loves until he can secure the fortune left him by his uncle. Believing the treasure awaits in his uncle's abandoned mansion, he begins searching... only to uncover mystery, murder, and a killer ape.
0.0After coming under suspicion for a computer technician's murder, six hackers team up to try to find the real killer.
0.0Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."
6.7This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
0.0One of the two earliest horror films ever made. This film is presumed lost.
0.0Tells the story of Melati (Aya Amiruddin), a beautiful girl who likes to eat. Melati was found dead in a state where she was starving because her mother had eaten her favorite food, which was Telur Ikang Parang. Jasmine turns into a vampire who disturbs the villagers by eating the food they have. What's surprising, Melati became a 100KG vampire! Although various efforts were made by the villagers led by Mr. Bayang (Kazar Saisi) to solve this issue, nothing worked and the vampires are still roaming and rampant in the village.
0.0A Filipino re-edit of the original Godzilla. Appears to have been edited in a similar fashion to the American King of the Monsters!, with the use of Filipino actors. No footage of this version has ever surfaced.
6.5The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. This film was lost in the 1965 MGM vault fire; only a few stills exist.
5.5A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.