On October 15, 2003, in a quiet autumn day at a high-rise apartment. Hwang Ga leisurely waters the plants on the balcony. At the same time, Hyung-min, a man in his sixties, lives in an old house on the outskirts of the city. As the local news on TV announces the confirmation of the "Jeju 4·3 Incident Truth Report," the two elderly men reminisce about their similar yet distinctly different pasts. The first independent film from Jeju Island.
On October 15, 2003, in a quiet autumn day at a high-rise apartment. Hwang Ga leisurely waters the plants on the balcony. At the same time, Hyung-min, a man in his sixties, lives in an old house on the outskirts of the city. As the local news on TV announces the confirmation of the "Jeju 4·3 Incident Truth Report," the two elderly men reminisce about their similar yet distinctly different pasts. The first independent film from Jeju Island.
2005-04-03
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7.3Young Jin-hee is taken by her father to an orphanage near Seoul. He leaves her there never to return, and she struggles to come to grips with her fate. Jin-hee desperately believes her father will come back for her and take her on a trip.
6.4Mu-kwang volunteers to be a kitchen police of Sa-taek, the divisional commander, dreaming of success. One day, Mu-kwang meets Su-ryeon by chance, who is a young and beautiful wife of the commander. Soon, he feels a strong attraction by her.
6.7She has never lived in a high-rise apartment, and she wonders how her sister can live at this height every day. A few days ago she kind of burst in to stay with her sister, and she is now becoming re-accustomed to life in Korea. While seeming to keep a grave secret to herself, she manages life one day at a time with a sense of mindfulness. Meanwhile a certain director, some years younger than her, has asked her to join his project, and after a polite refusal, they have agreed to meet for the first time today. Downtown Seoul is filled with narrow alleys that harbor tiny old bars, and that's where they meet. As they are getting drunk, there is sudden rainfall and thunder.
7.3In Japanese-occupied Korea, three freedom fighters are assigned a mission to assassinate a genocidal military leader and his top collaborator. But the plan goes completely awry amidst double-crossings, counter-assassinations, and a shocking revelation about one of the assassins' past.
7.5Pil-ju, an Alzheimer's patient in his 80s, who lost all his family during the Japanese colonial era, and devotes his lifelong revenge before his memories disappear, and a young man in his 20s who helps him.
7.2After losing both her parents, Failan emmigrates to Korea to seek her only remaining relatives. Once she reaches Korea, she finds out that her relatives have moved to Canada well over a year ago. Desperate to stay and make a living in Korea, Failan is forced to have an arranged marriage through a match-making agency.
6.9The citizens of Gwangju lead a relatively peaceful life, until one day the military takes over the city, accusing the residents of conspiracy and claiming that they are communist sympathisers preparing a revolution against the current government. Seeing as the soldiers beat defenceless people, mainly students, to death, the citizens are in for retaliation and form a militia.
7.0A Korean woman leaves her two young daughters with her sister-in-law to search for their estranged father.
6.8Defiant young activists take the women's suffrage movement by storm, putting their lives at risk to help American women win the right to vote.
5.8The story of a young writer's transformation when her past invades her present.
6.5Film producer Na-eun and director Yeong-tae are on the verge of shelving out cash for an adult film production. They're too busy blaming each other for the messed-up filming. Before another filming begins, Na-eun suggests Yeong-tae to become an actor himself and practice filming. Na-eun leads the shy Yeong-tae very skillfully. How far will the practice go...?
6.2A young woman who is determined to maintain her independence finds herself at odds with her family who wants her to tame her wild side and get married.
7.0Kim Seong-nam travels to Paris to escape an arrest, leaving his wife behind in Korea. After he arrives, he meets an ex-girlfriend and is introduced to a small community of Korean artists.
6.7The true story of 20-year-old Colleen Stan, a hitchhiking woman abducted by a young couple and held captive for seven years, during which time she's tortured and forced to live as a slave to her captors.
7.0Nola grew up living in a van with her father, Clint—two nomads against the world. When tragedy strikes, Nola must confront the reality of life on the road alone, learning to own her grief, her past, and her new destination.
6.5When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?
6.4Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.
7.0Yu-jeong is suicidal, yet she reluctantly goes to prison for volunteer work. There, she meets a prisoner who is waiting for death penalty. The two quickly fall in love despite their differences, yet they do not have much time.
5.9When motocross and heavy metal obsessed, 13-year-old Jacob's delinquent behavior forces CPS to place his little brother Wes with his aunt, Jacob and his emotionally absent father must finally take responsibility for their actions and each other in order to bring Wes home.
7.2A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
0.0South Korea, 1998: While the country moves closer towards democracy, Young-oak remains at odds with his female-connotated name while attending a boy's school where the air is thick with testosterone. The young man is struggling to fit in and find a new name among corrupt teachers and the teenagers' violent power games, which are as subtle as they are extreme. Behind his mother Jeong-sun's seemingly unflappable exterior, a past long repressed is reemerging, which she is reluctant to face. Yet confrontation is unavoidable – and it leads back to the national tragedy surrounding the Jeju Uprising of April 3rd, 1948.
7.4The populace of a South Korean island rebels against police brutality. The protesters are labeled as communists, and the army is dispatched.
6.0Everglow begins with the cute struggle of Kyung-hoon , who visited Jeju to make a documentary about Jin-ok, a female diver. Kyung-hoon's work becomes a sincere mission for the souls buried in the deep sea and mountains.
6.0Set against the backdrop of the Jeju Uprising in 1948, which was sparked by an armed revolt of islanders fearing the division of Korea into North and South, the film portrays the tragic consequences of an indiscriminate punitive expedition by the South Korean government. Under the guise of an anti-communist campaign, more than 25,000 civilians were slaughtered. Through the story of a mother fiercely protecting her young daughter, the film highlights the resilience and strength of Jeju women amidst the chaos.
The story of a young mother shows her trapped in the massiveness of circumstance. Forced to desert her only child and live with the anxiety, she can only weep. On the island, life is getting much harder, and there is only wind, stone and women.
0.0According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.
0.0If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.
0.0How did South Korea, after liberation in 1945 defend liberal democracy against leftist and communist forces? The door to that secret is now revealed.
0.0Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.
0.0The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.
Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.
9.0Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.
0.0The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.
5.9Jin-Myung is a psychiatrist and exorcist. With his assistant, Ji-Kwang, they attempt an exorcism on Geum-Joo. She suffers from a bizarre phenomenon. They then face a powerful existence within Geum-Joo. Extreme horror arises out of her.
7.5In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.
0.070 years ago, a massacre called ‘Red Hunt’ occurred in Jeju island. Over 6 years, countless lives were murdered in the Daranshi cave, Jungbang waterfall, and Ompang field. There was no line between life and death. There were only ideological and political strategies that surrounded Jeju. After 49 years, survivors can finally testify the memories that could not be forgotten.
A follow-up to 1996's documentary on the massacre at Cheju island, Red Hunt 2 exposes the real facts of the outrage upon personal rights and the brutal butchering occurred 50 years ago. Lives of nine survivors with their grieving testimony expose the horror of six yearlong massacres by Rhee Seung-man regime which still lingers today.
0.0There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.
Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.