Bouřlivé jaro(2003)

King Lear(en)

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Why Me?(et)

Why do we wake up every morning still wanting to sleep? Why do we go to work when the pay is low and the boss is shouting? Why do we buy a home with a mortgage and then moan every month about the interest? Why me?

The Actors(en)

During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.

Le siècle sera féminin ou ne sera pas(fr)

L'Ex-femme de ma vie(fr)

Les diablogues(fr)

Divina(fr)

Eddan(en)

Västanå Teater presents a exciting, poetic and peculiar version of the Poetic Edda. Recorded at Riksteatern during the spring of 2020.

La Culotte(en)

At Théobald, it’s not Louise who wears the pants. And for good reason: she just lost hers in public! The court official already feels shamed and does not hesitate to blame his half. However, this little female neglect will bring him much more than he thinks.

Il cilindro(it)

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Le Banquet d'Auteuil(fr)

Tired of his wife's infidelities, Moliere rented a house in Auteuil, with his young protege, Michel Baron and his lifelong friend, Chapelle who invited a turbulent troop to dinner, that will mock/envy the jealous passion of the author.

Batailles(fr)

"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "

Les Marchands(fr)

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

Gennareniello(it)

Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.

La Dame de chez Maxim(fr)

Doctor Petypon, a respectable doctor, partied until early morning at Maxim's. His best friend discovers him asleep at noon under an overturned sofa. From the bedroom comes the Môme Crevette, a dancer from the Moulin Rouge. She is forced to pretend to be his wife. It stings at the game and causes a cascade of misunderstandings, imbroglios and drama at a frantic pace.

Sacré Noël(fr)

La Bonne Anna(fr)

Nosáček(cs)

The Play(cs)

A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.

L'Amour, la Mort, les Fringues(fr)

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…