
The film portrays the political environment between the end of the '60s and the beginning of the '70s in Italy. Images of a wandering young girl are alternated with those of a man's corpse in front of an industrial landscape. The man's corpse is a metaphor of the worker forced to work dehumanizing hours. The girl, on the other hand, is the symbol of innocence. This is Luginbühl's accusation directed at a passive and powerless society. However, hope is represented in the final sequences, where Luginbühl's child, Cecilia, is shown as the embodiment of future generations.

The film portrays the political environment between the end of the '60s and the beginning of the '70s in Italy. Images of a wandering young girl are alternated with those of a man's corpse in front of an industrial landscape. The man's corpse is a metaphor of the worker forced to work dehumanizing hours. The girl, on the other hand, is the symbol of innocence. This is Luginbühl's accusation directed at a passive and powerless society. However, hope is represented in the final sequences, where Luginbühl's child, Cecilia, is shown as the embodiment of future generations.
1969-04-07
0
7.4A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.
7.2From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.
6.2Connie, the fifteen-year-old black sheep of her family, finds her summertime idyll of beach trips, mall hangouts, and innocent flirtations shattered by an encounter with a mysterious stranger.
6.6During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
6.4In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
7.412-year-old Renato experiences three significant events on the same day: the beginning of the Second World War, getting a bike, and witnessing the arrival of the gorgeous Malèna. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed dead, and, through his soul, we see his love for her.
7.1Alessandro and Arturo have been together for over 15 years and, despite the feeling they still have for each other, their relationship is now at crisis. When Alessandro’s best friend, out of the blue, asks them to take care of her two kids for a few days, something changes in their daily routine and love will drive them to a crazy and unexpected turn in their life.
6.1A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
6.2A group of friends' fishing boat capsizes off the coast of Mexico and they're left alone stranded at sea and struggling for survival.
7.7The powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, Hamlet.
6.7In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
7.6In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
6.3A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
7.6Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
6.4After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
6.6Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.
6.3In 1950s Australia, young Celia is growing up with a sense of isolation and mistrust of the world that surrounds her. Her mother and father won't let her play with the kids next door because their parents are communists. Then her pet bunny is taken away because of rabbit overpopulation. And, more traumatizing yet, when her grandmother dies, she's the one to discover the corpse. To cope, she retreats into elaborate fantasies.
6.3Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.
6.5Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.