

A tribute to Soviet cameraman Vladimir Sushchinsky, killed in the liberation of Breslau in 1945, featuring his funeral and final footage by fallen colleagues. The film honors the 252 front-line cameramen of the Central Documentary Film Studio, one in five of whom died while recording the war, leaving behind millions of meters of film and hundreds of newsreels as a lasting record of the conflict.
Self (archive footage)

A tribute to Soviet cameraman Vladimir Sushchinsky, killed in the liberation of Breslau in 1945, featuring his funeral and final footage by fallen colleagues. The film honors the 252 front-line cameramen of the Central Documentary Film Studio, one in five of whom died while recording the war, leaving behind millions of meters of film and hundreds of newsreels as a lasting record of the conflict.
1946-12-31
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7.2With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.
8.2Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
8.2A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
8.0As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
7.4Romm pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firm conviction that nothing of the sort should be allowed to happen again anywhere in the world.
7.5Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
6.1This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
6.4Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
7.8A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.
7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
7.4A Russian military propaganda film about the tank commander Kalashnikov, severely injured in battle in 1941. The accident leaves him incapacitated and unable to return to the front line. While recovering in the hospital, he begins creating the initial sketches of what will become one of the world’s most legendary weapons. A self-taught inventor is only 29 when he develops the now iconic assault riffle — the AK-47. Shot in occupied Crimea.
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
6.3The film is based on the true story about a Soviet KV-1 crew of a Soviet KV-1 tank, under the command of Semyon Konovalov , whom despite being heavily outnumbered by German forces, destroyed 16 tanks, 2 armored vehicles and 8 other enemy vehicles at the village of Nizhnemytyakin, Tarasovsky district, Rostov region on July 13th, 1942.
6.5When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
7.0Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian resistance families. His activities become so large that the Nazis decide to assassinate him the next time he leaves the Vatican.
6.0From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
7.2Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.
6.8Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.
6.6Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.
7.0Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.