

Two limping souls in their sixties collide – literally – on a street corner. What begins as a clumsy accident becomes a quiet spark. Over coffee, they linger. They talk. And just like that, an unlikely intimacy begins to bloom. The Slug and the Snail traces the gentle unfurling of a connection born not of urgency, but of presence of two bodies long ignored by the tempo of the world, finding rhythm in each other. Anne Benhaïem’s film is a tender ode to queer aging, to liminality, to love that doesn't need to shout to be heard. With stripped-down direction and performances that pulse with lived-in truth, the film crafts a space of radical softness. It speaks to loneliness without pity, to affection without spectacle. It reminds us that desire doesn’t fade, it just changes shape. Benhaïem herself plays one half of the duo, bringing a raw, honest magnetism that makes the story feel lived rather than performed. This is cinema as whisper, as mirror, as gentle rebellion.
Anne / La limace
L'escargot
Bojena
La psy

Two limping souls in their sixties collide – literally – on a street corner. What begins as a clumsy accident becomes a quiet spark. Over coffee, they linger. They talk. And just like that, an unlikely intimacy begins to bloom. The Slug and the Snail traces the gentle unfurling of a connection born not of urgency, but of presence of two bodies long ignored by the tempo of the world, finding rhythm in each other. Anne Benhaïem’s film is a tender ode to queer aging, to liminality, to love that doesn't need to shout to be heard. With stripped-down direction and performances that pulse with lived-in truth, the film crafts a space of radical softness. It speaks to loneliness without pity, to affection without spectacle. It reminds us that desire doesn’t fade, it just changes shape. Benhaïem herself plays one half of the duo, bringing a raw, honest magnetism that makes the story feel lived rather than performed. This is cinema as whisper, as mirror, as gentle rebellion.
2024-06-06
7
5.9Jérémie, 34, wakes up in an apartment he doesn't know, next to a woman he doesn't know. She is Adna, a stunning Swedish woman who is as funny as she is sweet. Is this the beginning of a fairy tale? Not quite, since Jérémie is about to get married—to Antoine.
5.8True tale of the tumultuous love affair between two French literary icons of the 19th Century, novelist George Sand and poet Alfred de Musset. But their affair falls apart during an excursion to Venice, Italy where Musset is distracted by drugs and Sand by a handsome doctor.
7.0Detached filmmaker Anna Silver arrives in Germany to show her latest film; over the course of some days, she encounters a variety of new and old faces, some of whom make personal revelations to her to little affect.
6.2Agnes and her two sisters struggle through a day in a home overrun by gamblers, thieves, and johns.
6.6A widowed professor living in Paris develops a special relationship with a younger French woman.
7.6A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
7.2Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.
6.2Stigmatized from infancy by the fate of his criminal father, a man is bruised and bullied until one night, in a fit of rage, he kills his most persistent tormentor. As the police close in around him, he makes a desperate bid for the love of the dead man’s fiancée, a schoolteacher who sees the wounded soul behind his aggression.
6.4In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
8.0Forcibly separated from her twin brother when they are orphaned, a melancholic misfit learns how to find confidence within herself amid the clutter of misfortunes and everyday life.
6.3In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.
6.7As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
6.3Camille is a professor at a Protestant college and is in a long-term relationship with Martin, a respected minister and fellow professor. When Camille meets Petra, a bold and flamboyant performer in a circus troupe, she is inexplicably drawn. Pursuing Petra, Camille throws her whole conservative life into disarray.
6.4Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.
6.3Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.
7.4Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
6.7In the hospital where she works in Brest, France, a lung specialist discovers a direct link between suspicious deaths and state-approved medicine. She fights single-handedly for the truth to come out.
6.0An outwardly normal schoolteacher preys on suicidal women to slake his overwhelming thirst for human blood.
6.5In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.
6.5Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.