
'The War Photographers' recounts the personal experiences of award-winning photojournalists who risk their lives covering conflict in the world's most dangerous war zones. Intimate interviews and gripping imagery reveal stories of sacrifice, courage and the emotional toll endured by photographers and their subjects. Stories include New York Times photographer Joao Silva revisiting sites in his native South Africa, recalling the violence that led to that country's first democratic elections in 1994. Ashley Gilbertson travels to Midland, Texas, for the final shoot of his project documenting the bedrooms of young soldiers who never returned home from war. Other photographers shares their firsthand experiences covering conflict in Vietnam, Iraq, Afghanistan, Somalia, Sudan and the Middle East.

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7.2With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.
8.2Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
6.6Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.
6.5When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
7.5Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
6.1This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
6.9In the near future, a group of war journalists attempt to survive while reporting the truth as the United States stands on the brink of civil war.
6.4Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
6.3Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history: they are embed with U.S. troops during nine days of intense combat in Afghanistan.
6.2An Army cameraman is embedded with a reconnaissance patrol and charts their mission across territory controlled by the North Vietnamese.
8.2A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
7.5New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
7.9The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”
7.8A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.
6.5War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human interest material for his readers back in the States. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2000.
7.2Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.
6.8One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.
6.7Three U.S. journalists get too close to one another and their work in 1979 Nicaragua.
6.6Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?
6.0A fictional documentary discusses the effects the Iraq war has had on soldiers and local people through interviews with members of an American military unit, the media, and local Iraqis.