Kossula: Last of the Takkoi Slaves(1928)

Evidence(en)

When Florette, a popular actress, and her friend Edith become rivals for the love of Walter Stanley, a leading man, Florette sacrifices her feelings for the other girl. Three years later, Phillip Rowland, a young aristocrat, falls in love with Florette. When Edith intrudes in her affairs, Florette--although she fears unhappiness will result because of their differing social positions--decides to marry Rowland regardless of the consequences. Rowland stands by his wife, although she is snubbed by his family, but when Edith conspires with Walter Stanley to place Florette in a compromising position, Judge Rowland accepts circumstantial evidence as truth and plans for a divorce. Florette, however, cleverly puts her brother-in-law on the defensive; making amends, he has her reinstated in the family's good graces. A lost film.

Scars of Jealousy(en)

Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.

Aardbei(en)

In a smudgy hotel, guests and staff have a run in with fate.

Salaviinanpolttajat(fi)

No prints of the film have been preserved so the film can be considered a lost film. The original screenplay has also been lost. However, some plot descriptions are still known based on contemporary newspaper advertisements of the film. As the name would indicate, the film tells about two local men who are making moonshine in the woods. A customer comes to them, and while sampling the product they start a game of cards, which eventually leads to a fight. While the fight is going on, the local police shows up and arrests the makers while the customer manages to escape.(Wikipedia)

Table Steaks(en)

The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.

You Never Know Women(en)

On her way to the theater, Vera, star of a Russian vaudeville troupe, is rescued from a falling girder by Eugene Foster, a wealthy broker who persists in his efforts to win the girl. Foster engages the troupe to perform at his home, and Vera, stunned by a fall, awakens to find Foster pleading his love, while Norodin, her partner who loves her, sees them embrace. Norodin, who performs an underwater stunt, asks Vera not to be present for his act and causes her to believe him dead; heartbroken, Vera tells Foster of her mistake; and enraged, he attempts to seize her. The magician appears, pins Foster to the wall with knives, and advises him to leave before the last blade is thrown.

Strangers of the Night(en)

A rousing fusion of satire, mystery and action. Aristrocrat Ambrose Applejohn is aching for excitement. He gets more than he bargained for when two Russian thieves, Anna Valeska and her partner Borolsky, arrive at the mansion one dark night.

Don't Weaken!(en)

A dancing instructor gets involved with a newly rich family.

Black Oxfords(en)

In this Mack Sennett comedy, a mother and daughter fear foreclosure because their mortgage payment is due and they're unable to pay it. Meanwhile, the family's son Jack, who's in prison, unexpectedly finds himself free of captivity.

Buffalo Bill(xx)

The famous army scout in an exhibition of rifle shooting. A fine picture of the principal, and beautiful smoke effects.

Slave of Her Senses(pl)

Pola is a beautiful but poor girl, a locksmith's daughter. Unexpectedly, she's successful as a stage dancer. After her success, she breaks with her fiancé and becomes the lover of a rich admirer. However, the fiancé does not accept her departure.

Leave It to Susan(en)

A Clarence G. Badger silent cowboy western kidnapping mistaken identity romantic comedy, based on a story by Rex Taylor; about a rich woman who gets lost in the West, and is found by an engineer who she mistakes for an outlaw. tHe plays along because he enjoys it, but then four real outlaws show up, and he tells them he was kidnapping her. They get found out, the girl gets one of the outlaws' guns and rescues them, and of course, they discover they love each other!

The Man Who Found Himself(en)

Alfred E.Green silent family relationship romantic melodrama

Song of Triumphant Love(ru)

The Primal Law(en)

silent cowboy western starring Dustin Farnum as a rancher whose partner is killed by rustlers. He takes in his partner's young son, and begins to sell his ranch, but the boy finds oil on the land.

On Your Toes!(en)

Silent boxing sports comedy about a boxer whose grandmother wants him to be a ballet dancer, so he has the boxers at his training camp pose as ballet dancers to fool granny, with predictable results

The Patriot(en)

Family relationships of a New Mexico family are just one part of this silent cowboy western about a war veteran who finds a goldmine. He wants to earn enough money to take care of his young son, but crooked officials swindle him out of the mine, and then his son is killed. He swears vengeance and joins up with Mexican bandit, "Pancho Zapilla", who intends to destroy his whole town.

The Sea Vultures(sv)

Two smugglers meet two customs officers at sea, and happen to kill them. The story continues fifteen years later when a son of one of the officers and a smuggler's daughter fall in love with each other.

The Other Gods: A Tale of the Dream Cycle(en)

A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.

A Woman's Business(en)