Olhos D'Água(2025)

Febre(pt)

The Memory Beneath the Waters(pt)

After awakening from a recurring nightmare, Luanda, a Black woman and single mother, finds her day pierced by painful memories that insist on resurfacing. A seemingly simple, intimate unease draws her back into recollections of a past shaped by poverty and sorrow. As she confronts these ghosts, Luanda revisits the experiences that forged her path and reveal the strength of the woman she has become.

Casulo(pt)

Da Lama Ao Caos(pt)

O Que Os Olhos Não Podem Enxergar(pt)

Relapso(pt)

Te vejo de novo(pt)

A letter to what has gone before. And to what is to come.

No Fundo do Poço(pt)

Girls Night Out(sr)

The story follows five girls in their thirties, close friends from childhood. They grew up in the suburbs, sharing every moment of growing up. As life often does, their interests took them in different directions, and their friendship suffered consequences. However, after a long time, they get together on the occasion of the wedding of one of them.

Scape(en)

An introverted man who oscillates between reality and imagination wanders in a photography gallery where he draws the art he sees. As he walks through the gallery, the man finds refuge in the works of art.

Lustful Life: Night Make Me Wet!(ja)

A woman endures the life of a prostitute for a yakuza pimp.

Running Man(en)

It's 1991, and a clinical drugs trial goes horrifyingly wrong for a group of young ravers.

Observation(no)

A surprisingly large number of employees attend the parent-teacher conference at the kindergarten, and the parents soon discover that the kindergarten does not share their conception that their four year old son’s behavior is within the normal range. 

Adam(en)

Adam is a factory worker. He falls in love with Chris, a slightly older man. Instead of strengthening his own identity, Adam is unable to cope with his sexuality and suffers a nervous breakdown. One of the first representations of gay men in Australian cinema and an iconic piece of LGBTIQA+ film history.

Porter(no)

Mai Linn works as a porter at one of the biggest hospitals in Oslo, Norway. Due to extreme shyness, her colleagues hardly notice her and take her for granted. She feels that she is standing still, a bit like moss.