
In 1998 a regular exchange of video letters was launched between a group of pupils in their fourth year at the Collège Georges Rouault in the 19th arrondissement in Paris. At the outset the video letters had been seen as an exclusively preventive experience. It was a much more important and fundamental experience : the discovery of the refreshing power of words. Words that had time to be constructed without being felt, both in school and in prison, as a trap (which is often the case). Little by little, the pupils and the prisoners took care of the recording of their video letters themselves. Following the example of the words, the images are raw, seeking themselves. But they are also borne by a rare tension, sensitivity, fragility. These are the images and the sounds which, two years later, we decided to organise into a film. To show an experience which also has to be closed by giving the protagonists a chance to speak one more time.
the french teacher
Martine GAILDRAUD
Béatrice PELTIER
Françoise VALENTIN

In 1998 a regular exchange of video letters was launched between a group of pupils in their fourth year at the Collège Georges Rouault in the 19th arrondissement in Paris. At the outset the video letters had been seen as an exclusively preventive experience. It was a much more important and fundamental experience : the discovery of the refreshing power of words. Words that had time to be constructed without being felt, both in school and in prison, as a trap (which is often the case). Little by little, the pupils and the prisoners took care of the recording of their video letters themselves. Following the example of the words, the images are raw, seeking themselves. But they are also borne by a rare tension, sensitivity, fragility. These are the images and the sounds which, two years later, we decided to organise into a film. To show an experience which also has to be closed by giving the protagonists a chance to speak one more time.
2001-01-01
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7.2A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
7.0In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
8.4The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.
7.2A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
7.5Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
6.5Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
6.7Richard, a lonely and well-meaning prison officer, is put in charge of reading and censoring the letters received by inmates.
6.7As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
6.8In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
7.7Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
7.8Behind-the-scenes documentary about how Lionel Messi succeeded in lifting the World Cup – the only trophy to have eluded him in an incredible career.
6.4Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of three free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.
7.4Originally a home video never intended for public viewing, this film captures the final chapter in Roger Federer's legendary tennis career, featuring Roger, his family, and his three main rivals: Rafael Nadal, Novak Djokovic, and Andy Murray.
7.1Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
7.6A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
7.8Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
6.4Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
6.5In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.