A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.
A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.
1925-01-01
0
A silent amateur film from 1925 depicting scenes of play and companionship on the beach at Lavagna. Shot by Nena Lavello at age 16, it offers a visual record of everyday leisure and social interaction in early 20th-century Italy.
6.8JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
6.5A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.
6.5During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"
6.2SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
8.0Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.
7.6A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
6.6Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
6.5Film which travels inside the singular world of one of Italy's most famous fashion designers, Valentino Garavani, documenting the colourful and dramatic closing act of his celebrated career and capturing the end of an era in global fashion. However, at the heart of the film is a love story - the unique relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti. Capturing intimate moments in the lives of two of Italy's richest and most famous men, the film lifts the curtain on the final act of a nearly 50-year reign at the top of the glamorous and fiercely competitive world of fashion. (Storyville)
6.0From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
5.9Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.
6.9An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
6.5Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
6.6A documentary about the sport of boxing, as seen through the eyes of champions Mike Tyson, Evander Holyfield and Bernard Hopkins.
7.2Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
8.1On an idyllic beach in the Pacific Northwest, curiosity gets the better of a young raccoon whose frustrated parent attempts to keep them both safe.
7.4Retrospective documentary about the making of the horror cult classic "The Return of the Living Dead."
7.5Hollywood veteran Bing Russell creates the only independent baseball team in the country—alarming the baseball establishment and sparking the meteoric rise of the 1970s Portland Mavericks.
6.8In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
7.9A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
0.0In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.
0.0An home movie documentary about a young man with a camera who tries to recount and reframe a pivotal moment in his childhood: the death of his mother. An intimate and personal story about what remains of that mother-son relationship, now marked by an unbridgeable distance and an absence with which it is necessary to come to terms.
6.7Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
7.3Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.
0.0Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.
0.0Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.
A silent amateur film with a runtime of 1 minute and 28 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a game of tug-of-war on the beach at Lavagna during the summer of 1925. A group of young participants, dressed in bathing suits, engage in the activity while a dog observes from the sidelines. The footage is notable for its stable tripod-based composition and the use of horizontal camera movement to follow the action. At age 16, Lavello demonstrates early technical proficiency and an interest in capturing spontaneous social interaction. As noted by Michele Manzolini in the 2025 Pordenone Silent Film Festival catalogue, the film contributes to a broader visual record of leisure and informal play within early amateur cinema.
1°. Nel porto di Genova, Veliero ("1. In the Port of Genoa, Sailing Ship") is a 1928 silent amateur film by Guglielmo Baldassini, preserved as a 2K DCP from a 9.5mm reversal print without intertitles. Held by Fondazione Home Movies in Bologna, the film shows a sailing ship entering Genoa’s port, likely shot from a small boat. Baldassini, a Milanese painter and etcher, used the Pathé Baby format to capture landscapes and seascapes, often as references for his artwork. His archive includes 95 reels filmed between 1926 and the early 1930s, focusing on family, Milan, coastal scenes, and mountains. He developed his films at home, experimenting with tinting, toning, and exposure correction. Many reels show emulsion decay due to aging and chemical treatments. Notes by Michele Manzolini and Mirco Santi appear in the 44th Pordenone Silent Film Festival catalogue.
5.5Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
0.0A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.
When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.
4.0Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
0.0The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.
7.0With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
0.0Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
0.0THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.
A silent amateur 9.5mm reversal film presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a short cruise aboard the ocean liner Rex, departing Genoa on 17 April 1934 and arriving in Naples the following morning. Organised by Genoa’s Company Recreation Club, the voyage served as a preparatory run before the Rex’s transatlantic crossings. The footage includes scenes of the ship and its passengers, with Ludovico Maria Chierici and his son Enrico alternating use of the 9.5mm camera. As Paolo Simoni notes in the 2025 Pordenone Silent Film Festival catalogue, the Rex—a symbol of Fascist Italy and maritime ambition—was later immortalised in Fellini’s Amarcord, despite never having sailed the Adriatic.
0.0After discovering more than 100 Super 8 reels in his great-aunt's basement, a young filmmaker reflects on the value of these movies and his family's legacy.
A silent amateur film directed by Nena Lavello. It is preserved as a 2K DCP (1'31" at 16 fps) from a 9.5mm reversal print without intertitles, held by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia in Bologna. According to Michele Manzolini in the 44th Pordenone Silent Film Festival catalogue, the film was likely shot in Lavagna, where the Lavello family spent extended stays at their country house, Villa Rocca. The footage captures leisure activities of Nena Lavello and her group of friends, known locally as the “robustine” for their energetic and athletic lifestyle. Scenes include beach outings, sailing, and games. The Pathé Baby camera used for filming was purchased in April 1925 by her father Arturo Lavello, possibly for travel or as a gift. The film reflects moments of youthful recreation along the Ligurian coast
A silent amateur film with a runtime of 1 minute and 20 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film captures scenes of rowing and diving during the summer of 1925 in Lavagna. It forms part of a larger collection of 9.5mm films discovered in 2006 in the cellar of Villa Rocca by Lavello’s grandson, Enrico Vassallo, and donated to the archive in 2007. Restored in 2025 using a 2K wet scanning process to mitigate damage from fungal mould, the footage reflects the technical limitations of manual camera operation, including occasional acceleration due to uneven crank rotation. As noted by Michele Manzolini, the film contributes to a broader visual record of informal leisure and early amateur cinematography in interwar Italy.