The Garden of Earthly Delights(1975)

Where Evil Dwells(en)

Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.

Maria by Callas(en)

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

Metal Days(ja)

A group of punks steal weapons from a military base.

Lost Images: The Other Eye of Juan Pinzás(es)

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

Fuego(xx)

Ninja Dream(en)

Ripped from Super 8MM comes the lost surreal action film by Carl J. Sukenick. Terrorist agent known as the Black Scorpions have stolen NASA's gamma ray weapon. With its power Lord Scorpio plans to conquer the earth. The only survivor of these attacks is Carl J. Sugar-King of the DoD. He must train within his unconscious to fight or we may all perish to the hand of doom!

I Can't Wait Until It's Dark!(ja)

Three cinephile university students have a go at making their own Super-8 film.

Dead Funny(en)

A lonely mime takes desperate measures in order to find the audience he deserves.

Ritratto di Rosa, all'italiana(it)

"Ritratto di Rosa, all'italiana" stands as the second act of the trilogy begun in 2019 with "Portrait de Rosa, à la française." The poetry of the first chapter is replaced by a melody that takes the viewer back among the waves of a journey, among rocks and shells. A song full of love and hope from the past, setting the end of youth and the beginning of maturity.

Familiar Phantoms(ar)

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

Vincent Gallo as Flying Christ(xx)

Lemonade Stand-Off(en)

A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.

Naked Times(en)

Made for straight 8's 2019 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. This film follows two naked people who meet at a café, fall in love, and decide to dress each other in clothes.

Tokyo Cabbageman K(ja)

A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.

DARKMAN(en)

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Fuel(en)

A badboy meets his dream car...

Lost Boundaries(en)

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Memorial Time(en)

A man reflects over his life during a burial.

Night Lunch(en)

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Traces of Grief(de)

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?