This multisensory installation, rooted at the intersection of cinema and visual art, marks the 25th anniversary of Alejandro G. Iñárritu’s legendary debut feature Amores Perros (2000). Over a million feet of film were left behind on the cutting room during the film’s edit. A selection of these never-before-seen fragments has been excavated from the archives for the first time, and they are illuminated here by an assemblage of 35mm projectors, forming a mosaic of celluloid and sound bites of Mexico City collected over the last decades. Stripped of all narrative, the installation is not a tribute but a resurrection—an invitation to experience what never was. Drawing on the raw power and visual poetry of imagery left behind long ago, SUEÑO PERRO presents film as living material—one that is composed of time, light, and space—prompting us to ask: How many films exist within a film?

This multisensory installation, rooted at the intersection of cinema and visual art, marks the 25th anniversary of Alejandro G. Iñárritu’s legendary debut feature Amores Perros (2000). Over a million feet of film were left behind on the cutting room during the film’s edit. A selection of these never-before-seen fragments has been excavated from the archives for the first time, and they are illuminated here by an assemblage of 35mm projectors, forming a mosaic of celluloid and sound bites of Mexico City collected over the last decades. Stripped of all narrative, the installation is not a tribute but a resurrection—an invitation to experience what never was. Drawing on the raw power and visual poetry of imagery left behind long ago, SUEÑO PERRO presents film as living material—one that is composed of time, light, and space—prompting us to ask: How many films exist within a film?
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How many films exist within a film?
6.8A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.
7.2An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.
7.4The authorized documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Featuring rare archival footage and interviews with acclaimed Hollywood directors alongside Steven Spielberg, top shark scientists, and conservationists, the film uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.
7.6The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
7.1Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
6.7Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
6.6Dora, a girl who has spent most of her life exploring the jungle with her parents, now must navigate her most dangerous adventure yet: high school. Always the explorer, Dora quickly finds herself leading Boots (her best friend, a monkey), Diego, and a rag tag group of teens on an adventure to save her parents and solve the impossible mystery behind a lost Inca civilization.
6.8When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
7.3Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
7.6A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
6.1A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.
6.7As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
7.2When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.
7.9Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
7.0In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
6.8The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
7.8A look behind the lens of Christopher Nolan's space epic.
7.0Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
7.8Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
7.4A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.