I'm Going to Santiago(1964)
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
Movie: I'm Going to Santiago
Top 1 Billed Cast
HomePage
Overview
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
Release Date
1964-01-01
Average
6.4
Rating:
3.2 startsTagline
Genres
Languages:
EspañolKeywords
Recommendations Movies
Ex Libris: The New York Public Library(en)
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Heart of a Dog(en)
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Comandante(en)
Oliver Stone spends three days filming with Fidel Castro in Cuba, discussing an array of subjects with the president such as his rise to power, fellow revolutionary Che Guevara, the Cuban Missile crisis, and the present state of the country.
Cuba and the Cameraman(en)
This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
Hubble(en)
An IMAX 3D camera chronicles the effort of 7 astronauts aboard the Space Shuttle Atlantis to repair the Hubble Space Telescope.
To Be Takei(en)
Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.
The U.S. vs. John Lennon(en)
A documentary on the life of John Lennon, with a focus on the time in his life when he transformed from a musician into an antiwar activist.
The Captains(en)
The Captains is a feature-length documentary film written and directed by William Shatner. The film follows Shatner as he interviews the other actors who have portrayed starship captains in the Star Trek franchise.
Feminists: What Were They Thinking?(en)
In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
Interstellar: Nolan's Odyssey(en)
A look behind the lens of Christopher Nolan's space epic.
McQueen(en)
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
Anna Nicole Smith: You Don't Know Me(en)
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
The War Room(en)
A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
Harry Dean Stanton: Partly Fiction(en)
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Nothing Like a Dame(en)
BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.
Naqoyqatsi(en)
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A Decade Under the Influence(en)
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
We Live in Public(en)
In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
Similar Movies
Spies of Mississippi(en)
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
My Own Breathing(ko)
"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.
Dream Land(xx)
There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.
The Korean Wedding Chest(de)
Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.
Ulysse(fr)
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.
Itinerary of Jean Bricard(fr)
The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.
Prater(de)
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
The 11th Hour(en)
A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse
Killing the Colorado(en)
The drought in the American West is predicted to be the worst in 1,000 years. Join five Academy Award-winning filmmakers as they explore the environmental crisis of our time and how to fix it before it's too late.
Touched(en)
The alien abduction phenomenon, told by those who experienced it, with the weight of a Pulitzer Prize-winning Harvard psychiatrist at their back.
Hearts of Darkness: A Filmmaker's Apocalypse(en)
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Blindsight(en)
Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.
5′2″ 80 000 LBS(fr)
This feature documentary shines a light on a group of women who are passionate about their non-traditional job – trucking. Filmed in 1999, it follows the women all across Quebec as they do their job and address the big-ticket items in life: love, family, freedom, and solitude. Filled with humour and the contagious good spirits of the women involved.
Sunday Beauty Queen(tl)
Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.
Water & Power: A California Heist(en)
Uncovering the profiteering of the state's water barons and how they affect farmers, average citizens, and unincorporated towns throughout California.
From the Depths(it)
Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.
The Man Who Made Angels Fly(en)
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
How to Cook Your Life(de)
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
Communion(pl)
When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.