
“Begins with a portrait of the filmmaker’s father, moves through imagery of various forms of transportation (cars, boats, trains, and planes), and concludes with a ‘Postlude’ in which filmmaker Jerome Hill deplanes from a jet.” –Gerald R. Barrett & Wendy Brabner, STAN BRAKHAGE: A GUIDE TO REFERENCES AND RESOURCES

“Begins with a portrait of the filmmaker’s father, moves through imagery of various forms of transportation (cars, boats, trains, and planes), and concludes with a ‘Postlude’ in which filmmaker Jerome Hill deplanes from a jet.” –Gerald R. Barrett & Wendy Brabner, STAN BRAKHAGE: A GUIDE TO REFERENCES AND RESOURCES
1969-01-01
4.5
7.4The life and career of an actor, artist, and icon. His own journey through his own camera.
7.0Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
5.9A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
6.9A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
6.5Mickey is heading out on vacation from Burbank to Pomona, taking the train. The conductor, Pete, won't let him on with Pluto, so he hides Pluto in his suitcase, and tries to hide him all throughout the trip without much luck. But Pete wins when Pluto is hooked by a mail hook. Or does he?
7.2Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country.
7.3Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
7.0The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.
6.9Down and out Stan and Ollie beg for food from a friendly old lady who provides them with sandwiches. While eating, they overhear the lady's landlord tell her he's going to throw her out because she can't pay her mortgage. They don't realize that the old lady is really rehearsing for a play. Stan and Ollie decide to help the old lady by selling their car. During the auction a drunk puts a wallet in Stan's pocket. Ollie accuses Stan of robbing the old lady, but when the truth is revealed Stan takes revenge on Ollie.
7.1A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.
6.9While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
6.2SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
5.9After their pilot dies unexpectedly mid-flight, passenger Doug White must safely land a plane and save his entire family from insurmountable danger.
6.2Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.
6.6Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
7.2A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
6.5A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.