

A 2003 documentary study of mainstream Cyberpunk films of the 1980s created by director Andrew J. Holden. The film uses the structure of literary theorist Northrop Frye to describe the common, repeating stories in Western culture, and how Cyberpunk can be defined and understood according to that analysis, with a focus toward American film industry portrayal of race, gender, and government.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
In this new program, actors Beverly D'Angelo, Don Dacus, Ellen Foley, Annie Golden, John Savage, and Dorsey Wright recall how they became involved with Hair, what it was like to work under the direction of Milos Forman, and era in which the film emerged, and how it impacted their acting ambitions and careers. (Some of Mr. Savage's comments are very emotional).
7.0A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.
0.0Documentary about the making of Wim Wenders' 1984 film, with interviews conducted in 1989.
5.4Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
5.6The special examines the legal complaint brought against Justin Baldoni by Blake Lively, alleging he engaged in sexual misconduct on the set of his film, It Ends With Us, and hired a PR firm to engage in an online smear campaign against her to keep her quiet. Baldoni denies the allegations and has responded with a $400m counter-suit, accusing her of defamation. With the trial set for March 2026, the special examines the evidence on both sides and the response to the dispute on social media.
7.9A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
4.0Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…
0.0BBC documentary about the rise of the New German Cinema and several of its most important figures.
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
0.0Documentary with behind-the-scenes footage on the set of Abbas Kiarostomi's 2012 film "Like Someone in Love" with narration by the director.
6.7A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
6.0Documentary about the making of the 1982 film, featuring interviews with the cast and crew.
6.4The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
7.6A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.
8.1Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.
6.4One of the dominating figures in Elvis Presley's life was his manager, who was known as the "Colonel". No other relationship in Elvis' life was as controversial and misunderstood as the one he had with Colonel Tom Parker. The truth about their unique friendship is revealed in this documentary.
A short documentary about Fritz Lang's film 'Frau im Mond', and its relation to the science and history of real space travel.