
No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.

No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.
1980-04-13
7
The Film With a Disease
6.0When a teenage girl is miraculously saved by a heart surgeon, the doctor begins to flirt with her. Her father doesn’t believe her and unbeknownst to all, the doctor is obsessed with the girl.
6.4Two couples vacationing together in an R.V. from Texas to Colorado are terrorized after they witness a murder during a Satanic ritual.
6.4After losing his wife and his memory in a car accident, a single father undergoes an experimental treatment that causes him to question who he really is.
6.2When Eddie breaks into a luxury SUV, he steps into a deadly trap set by William, a self-proclaimed vigilante delivering his own brand of twisted justice. With no means of escape, Eddie must fight to survive in a ride where escape is an illusion, survival is a nightmare, and justice shifts into high gear.
6.4Young socialite Iris Carr befriends an older woman while traveling solo by train. When Iris wakes from a nap, the woman is gone and other passengers claim she never existed.
6.4A stillborn baby girl is abducted by a deranged morgue attendant and brought back to life by electro-kinetic power. On her sixteenth birthday, traumatized Tess escapes captivity and sets out to find her birth mother leaving a trail of horrifying violent destruction and chilling chaos behind her.
6.0An undocumented Filipina immigrant lands a job as a careworker for a seemingly terminal old man, securing a better life for her and her daughter. But a dark discovery threatens to destroy everything she’s strived for and holds dear.
6.1When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.
6.0Moira Cole endeavors to rebuild her shattered life after her family's murder at the hands of her deranged and obsessed cousin.
6.0When Polly receives a mysterious box, it comes with one rule: place inside something she needs, something she hates, and something she loves. If she doesn’t obey, it will consume everything—and everyone—she’s ever known.
6.0Walden Dean is a stenographer, whose mind witnessed all types of injustices in the courtroom. After discovering he has a terminal illness, repressed anger deep within him surfaces -- taking justice into his own hands in the most gruesome ways imaginable.
6.1In the 1970s, a British sound technician is brought to Italy to work on the sound effects for a gruesome horror film. His nightmarish task slowly takes over his psyche, driving him to confront his own past.
6.2A woman recovering from a nervous breakdown tries to convince her husband and and the local London police that she has witnessed a murder in the abandoned house next door.
6.2Bobby tries to save himself and his best friend when they are kidnapped on their way home from school.
5.8Divers searching for sunken treasure witness the murder of drug dealers by modern-day pirates, but a killer great white is determined not to let any of them escape its waters.
5.9When professional gamer Hana, who suffers from acute agoraphobia, receives new equipment that enhances her game, she begins to wonder if it is reading her mind – or controlling it.
6.1A malevolent being known as The Jester terrorizes the inhabitants of a small town on Halloween night, including two estranged sisters who must come together to find a way to defeat this evil entity.
6.7Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.
6.2In medieval England, Anne and her domineering mother-in-law Morwen struggle to survive on the outskirts of society. But when a man from Anne's past returns from war, a curse begins to take shape through a mysterious knight and threatens to destroy them all.
6.3Broke, and in desperate need to update her portfolio, New York City model Katie calls a number from a tear-off flyer offering free photos. But this innocent attempt quickly turns into an unthinkable kidnapping nightmare where she's ripped away from everyone and everything she knows.
0.0Two aimless psychics develop a strange relationship as they come to terms with having been groomed for espionage as children in the Gifted and Talented Education program.
0.0A melancholic boy. Heavy images. Brightness and colors. Haunting in the form of sound and cuts. A curtain hides something behind it.
0.0The aftermath of an experience with Heroin causes a man to destroy anything within his path.
0.0A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.
7.0From London's 1970 mod scene to Sonic Youth, punk music has always been about attitude and anarchy. This comprehensive rockumentary traces the roots of punk, from The Velvet Underground and the New York Dolls to the Sex Pistols and The Clash.
0.0Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
5.5A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.
7.3A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
0.0A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.
10.0When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.
With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas
0.0This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.
0.0In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.
0.0This documentary is more than anything a film about punk ideology told by punk survivors. The characters have been faithful to the 70's riot, and have developed their aggression into reflective thoughts and opinions. In making our film we have discovered the extremes within this community and how, after more than twenty years, the music is still as popular today.
7.0PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.
4.8Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).
0.0Featuring eighty-two minutes of extremely rare, never-before-seen international concert performance footage of bands such as Rancid, Joe Strummer and the Mescaleros, Dropkick Murphys, The Slackers, Roger Miret and the Disasters and Tiger Army - to name just a few, the GIVE 'EM THE BOOT DVD is a gritty look into the underworld of Hellcat Records through the eyes of founder Tim Armstrong and a hoard of his Hellcat family members! Highlights include performances and extra footage from tours such as the Rancid/ NOFX tour, the first Lars Frederiksen And The Bastards tour, various headline tours and both Hellcat Records’ Punks VS. Psychos Tours.
In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.