Movie: Sermons and Sacred Pictures

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Recommendations Movies

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Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.

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Ex Libris: The New York Public Library(en)

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A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
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An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

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This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

El color del amor
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This short documentary explores the intimate and unconventional life of my grandmother and her relationship with magic and with the love of her life. With nearly 40 years between them and a union that never reached the altar, the story unfolds in a time when social norms and life expectations collided with their own desires and decisions. The documentary follows my grandmother’s life from her early youth to her maturity, through the responsibilities of motherhood, her craft, and love in its most unexpected forms. Through interviews, family memories, personal belongings, and the narration of key moments in their life together, this portrait seeks to explore the nuances of love and the complexities of building a family outside traditional structures.

Machete Gillette... Mama
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Machete Gillette... Mama(en)

1989-01-01

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg