Tatjana in Motherland(2014)

Carnations(en)

Seven strangers are interviewed to talk about the relationship they have with their mother.

The Maribor Uprisings(en)

Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.

Once My Mother(en)

Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.

After You(sv)

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

The Leading Role(uk)

The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…

Sieben Mulden und eine Leiche(de)

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Black Scarves(sh)

Postwar life of eight remaining inhabitants of Strmec, a village located in the very corner of Slovenian Alps near Italian border. When local partisans killed a German officer, the Nazi occupiers shot all males in the village as an act of revenge; those who remained are seven women of different age who traditionally wear black scarves, and young boy who hasn't any friends to play with.

How I Waited for the Sun(sl)

Under the warm rays of the sun, the protagonists become living still lifes, resting on benches, chairs, and deckchairs. In the quiet embrace of nature, they wait, reflect, and remember. This cinematic group portrait delves into the legacy and creative spirit of Vilko Filač, the Slovenian master of film photography, celebrating the enduring mark he left on the world of cinema.

The Mirror and the Window(es)

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

Mother(en)

Mother compiles clips of mother figures from classic Hollywood cinema and television dramas. The figures range from the Virgin Mary and Mother Courage, to characters from Maude (1972–78), Aliens (1986), Imitation of Life (1959), and American Gangster (2007). The characters play out scenes of care, loss, emotional manipulation, abandonment, and grief. The intense relationships between mothers and daughters are especially prominent.

A Place in Nowhere(pt)

"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.

Codelli(sl)

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

Wild Slovenia(sl)

The documentary visually presents the very diverse fauna and flora of Slovenia, focusing on mammals and birds, and shows some particularly interesting species of amphibians, fish, insects and plants. It takes place over a period of one year and takes the viewer through typical Slovenian landscapes. The plot crosses between the provinces and occasionally returns to the same area in order to show what is happening in the animal world in the second part of the year. A very rich ecosystem diversity, rarely seen recordings, and scientifically verified information weaved into the intelligible text are key attributes of this film.

Momsy(hr)

‘Over the course of several summer days in Split I talked to my mom about everything. I mean, really everything.’

Yai Nin(th)

Ninlawan Pinyo is the matriarch of a Thai American family, who hustled for her fortune by founding a naem pork sausage factory in Chiang Mai, Thailand.

Terry's Little Village(en)

Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.

Spijtmoeders(nl)

What if you love your child, but are unhappy in your role as a mother? Spijtmoeders is a documentary film about mothers who, if they could make the choice again, would rather not be mothers. Three women talk about their struggles with motherhood, the shame and guilt they feel, and the high expectations society places on them. The fear of judgment from others is great: what if people think that they are not a good mother, that they do not take good care of their child? What if they think they don't love their child? The mothers are represented by hyper-realistic dolls, but their voices are real.

Stále spolu(cs)

Petr and Simona have been living together for twenty-five years. They have nine children, with whom they live in caravans on a meadow in Šumava – without television, computers, or running water. The authoritarian Petr calls himself a "professional father." He guides his offspring toward freedom and harmony with nature, while trying to protect them from the harmful influence of consumer society. The children only go to school for exams—their college-educated parents teach them at home. At first glance, the family cohesion, which is practically unparalleled in today's Western world, seems idyllic. Upon closer inspection, however, doubts begin to arise. The film Still Together explores the price of a free life outside of society and asks: is there a recipe for the ideal family?

Moeder & Grunberg(nl)