
The sense of rituals and the manifestation of the sacred has underpinned all of Clément Cogitore's oeuvre, inspired by gatherings, communal phenomena, and the expression of beliefs of today, be they erratic or diffuse, or without a defined subject. The spread of images and the way in which they have become commonplace constitute the off-screen "narrative" of this approach: the artist confronts and responds to this with a visual intensity and a sense for storytelling that borders on the fantastic.

6.8At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.
6.2Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.
7.4Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
7.0Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
7.1Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
6.4Transport Minister Bertrand Saint-Jean is awoken in the middle of the night by his head of staff. A bus has gone off the road into a gully. He has no choice but to go to the scene of the accident. Thus begins the odyssey of a politician in a world that is increasingly more complex and hostile.
6.1Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males...
5.9Jérémie, 34, wakes up in an apartment he doesn't know, next to a woman he doesn't know. She is Adna, a stunning Swedish woman who is as funny as she is sweet. Is this the beginning of a fairy tale? Not quite, since Jérémie is about to get married—to Antoine.
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
6.3In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
8.2A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
5.8Set against the backdrop of San Francisco’s Chinatown, this cross-cultural biopic chronicles Bruce Lee’s emergence as a martial-arts superstar after his legendary secret showdown with fellow martial artist Wong Jack Man.
6.1A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.
7.2Retired martial arts world champion Alex Faulkner has settled into a simple life, when the disappearance of two of his students leads to an unthinkable discovery close to home. Just when all hope of finding the children is lost, he locates the imprisoned girls and unsurfaces an international child trafficking operation, which draws him back into the fight of his life against those behind it.
6.4Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
6.6Obsessed with a general's wife, a clergyman has strange visions of death and lust, struggling against his own eroticism.
7.1During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be a ritualistic gastronomic carnage. In this absurd and grotesque universe, an unexpected sequence of events destabilizes the endless symphony of abundance.
5.9In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
7.4This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
7.2The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.