Mouthpiece(1978)

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Above Her Lips(en)

Journey of a University girl who seeks true love with an actress. They both find the nerve to break social expectation to pursue love with each other

Number Two(en)

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

Reila(nl)

Vortex(pt)

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Cocote Tonggo(jv)

To preserve the reputation of their family's traditional fertility herbal shop from neighbors' ridicule, a married couple who have been childless for years pretend to be pregnant so they can claim a found baby as their own.

The Human Centipede 2 (Full Sequence)(en)

Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.

In Ictu Oculi(eu)

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

The Fires(en)

Having lived illegally in Canada for the past eight years, Danny Gallagher returns to his family home in rural Donegal. He spends his days isolated, seeking to make sense of the bruises left by his past by recording an audio tape for a person that he no longer knows. Only when the tape is finished, and the house is cleared, can he finally move on.

The Flicker(en)

A film consisting of alternating black and white frames.

Corner(pt)

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

Serene Velocity(en)

"Serene Velocity (1970) created a stunning percussive head-on motion by systemically shifting the focal length of a stationary zoom lens as it stared down the center of an empty institutional hallway – thus playing off the contradiction generated by the frames’ heightened flatness and the compositions’ severely overdetermined perspective. Without ever moving the camera, Gehr turned the fluorescent geometry of this literal Shock Corridor (in the then – new State University of N.Y at Binghamton) into a sort of piston-powered mandala. If Giotto had made action films it would be this." – J. Hoberman

Grid(pt)

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Nameless(ru)

A conflict between son and mother.

Lemon(en)

Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame.

The Hundred Voices of Harry Hoffman(en)

The world's premiere voice actor and animator, known as "The Man with 99 Voices" has gone silent. In an attempt to break into the business, aspiring voice actor Claire Flores must coax the reclusive Harry Hoffman out of retirement. She quickly learns of his sinister secret, a horrifying hundredth voice dead set on getting Harry back into the limelight.

Some Real Places(en)

A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.

As You Are(en)

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

C-Film(en)

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

L.I.P.S.(en)

The bravest adventurer at The League of Interplanetary Process Servers attempts to deliver 30 subpoenas throughout the universe in only ten minutes.