La légende cruelle(1951)

Poltergays: Pesadija en lo profundo del recto(es)

In 1981, the de facto government financed a Victor Melman / Champagne Oyarbide film, to reach a new audience and give a message in favor of the imminent takeover of the Malvinas. When the military saw the finished film the filmmakers had to go into exile in Guatemala and the film was banned. Wes Craven plagiarized it after seeing it in a Guatemalan screening.

Quando A Noite É Vermelha(pt)

May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.

Cut Piece(en)

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Maria: Don't Forget I Come From the Tropics(pt)

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

1 In 5 Sheep(en)

An artist in sheep's clothing.

Yayoi Kusama(en)

Yayoi Kusama born March 22, 1929 is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, scat sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol, Claes Oldenburg and Yoko Ono.

Yayoi Kusama: I Love Me(ja)

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.

John Keats: His Life and Death(en)

Dramatization short on British romantic poet John Keats.

The Price of Everything(en)

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

Earth Hum(en)

“Earth Hum” is dedicated to Rachel Martin’s Family Tree, a drawing that combines art, earth, and love all into one. In a conversation with Martin, we learn a little bit more about her art told through her own voice and drawings as well as the ethereal presence of friends and old Super 8 footage. Like Martin says, in art, you see that there are magical things happening but it is really very human.

Scenes from a film noir(es)

Detective Douglas seeks to solve the crime of a former co-worker. Only the help of El Gaucho will be able to protect him against the plan that is coming.

Michelle(xx)

The Big Wheel(en)

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

Líneas(es)

El soltero(es)

Everyone tries that a successful single marry with a woman.

Self Portrait(en)

When an artist's work is destroyed, she struggles to come to terms with her perceptions of herself as a painter.

Screen Test: Marisol(en)

Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.

Bob Indiana, Etc.(en)

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

'Orsay(pt)

The Four Horsemen of the Apocalypse(en)

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.