Wild Wheels(1992)

The Wild World of Ted V. Mikels(en)

THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.

Inside Out(en)

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

The Serpent's Kiss(en)

A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.

Bloodlust(en)

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

A Woman, Her Men, and Her Futon(en)

Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.

Let's Make a Movie(en)

Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?

The Dissident(en)

When Washington Post journalist Jamal Khashoggi disappears after entering Saudi Arabia’s consulate in Istanbul, his fiancée and dissidents around the world are left to piece together the clues to a brutal murder and expose a global cover up perpetrated by the very country he loved.

Giving Voice(en)

Every year, thousands of high schoolers enter the August Wilson monologue competition for a chance to perform on Broadway. This film follows these students, examining how Wilson and his characters speak to a new generation, inspiring them to listen to his words and find their own voice.

The Go-Go's(en)

As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon.

Rebuilding Paradise(en)

​On November 8, 2018, a spark flew in the Sierra Nevada foothills, igniting the most destructive wildfire in California history and decimating the town of Paradise. Unfolding during the year after the fire, this is the story of the Paradise community as they begin to rebuild their lives.

The Earth Is Blue as an Orange(uk)

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

Epicentro(es)

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

Influence(en)

Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger.

Once Upon a Time in Venezuela(es)

Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.

The Reason I Jump(en)

Based on the book by Naoki Higashida, filmmaker Jerry Rothwell examines the lives of five non-speaking, autistic youngsters.

Saudi Runaway(ar)

Amjad, a young, fearless woman from Saudi Arabia, is tired of being controlled by the state and patronized by her family. With an arranged marriage imminent, a life without rights and free will seems inevitable. Amjad decides to escape. An unprecedented view inside the world’s most repressive patriarchy.

Softie(en)

Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family?

The Truffle Hunters(it)

In the secret forests of Northern Italy, a dwindling group of joyful old men and their faithful dogs search for the world’s most expensive ingredient, the white Alba truffle. Their stories form a real-life fairy tale that celebrates human passion in a fragile land that seems forgotten in time.

1995: Chikatetsu Sarin Jiken 30 Nen Kyumei Genba no Koe(ja)

March 20, 1995. As Tsurugi Tatsuhiko, head of the hospital's emergency center, walks down a deserted corridor before the start of treatment, nurse Hoshino Nao comes up behind him and starts talking about dealing with late-night emergencies. At the same time, at Kita-Senju Station on the Hibiya Line, Sonoda Naoki, the driver of the A20S train from Kita-Senju to Nakameguro, gets into the driver's seat and performs his usual duties, such as inspections. With Sonoda at the wheel, the train starts moving. However, the passengers gradually start coughing, and some even become ill. One of the passengers presses the emergency button, and the train stops at the next station, Tsukiji, for a check. For some reason, the passengers' feet are wet... When the train arrives at Tsukiji Station and the doors open, passengers who are feeling unwell tumble out onto the platform. When Sonoda came out of the driver's cab, he was shocked by the sight before his eyes...

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