PEOPLE - THE FILM Vincent Moon’s journey through our magical PEOPLE Festival 2018. These moments out of time, in between spaces, the ritual, the coming together of 200 musicians to create and share to an audience of 5000 people. …all of these communal experiences that we cherish. To help us get through this winter, to remember how great it feels to be close, to sing loud, to cry together, to dance… to joyfully discover what waits behind the next door. For those who experienced this memorable week, those of you who have heard of it and for those who are curious.
0.0It’s been a long road for saxophonist/producer Dominic Lalli and drummer Jeremy Salken to “ROWDYTOWN IV,” the fourth installment of their massive hometown experience. Their journey is beautifully captured in this documentary short film which chronicles the duo’s history and how they broke saxophone into dance music alongside a compelling behind the scenes look at producing the Rowdytown show.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
0.0Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.
6.5Show recorded on February 26, 1993 at the Grande Halle de la Villette in Paris for the benefit of the Restos du Coeur.
0.0Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
An American Dissident: un tributo a Frank Zappa is an Italian documentary that aired on the Videomusic channel on January 7, 1994. It includes footage from Zappa's Universe, Video From Hell, Does Humor Belong In Music?, Baby Snakes, The True Story Of 200 Motels, The Late Show, Zappa's May 17, 1988 show at Palacio de Deportes in Barcelona, Spain, The Dub Room Special, various other interviews and performances.
4.5"I swear, I wanted to make a “visual album” but this is literally the way the wind blew me this time."
9.0Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).
6.0Show recorded at the Opéra Comique in Paris on March 6, 1995 for the benefit of the Restos du Coeur.
7.5In January 2017, Les Enfoirés set the Zénith in Toulouse alight with seven exceptional concerts. Faithful to the cause started by Coluche in 1985, thirty-seven renowned artists answered his call, in a festive and warm atmosphere. This year, Les Enfoirés made their revolution and offered a collective show punctuated by 17 tableaux as poetic as they were spectacular through the ages. The entire troupe invites us on March 3 to set sail aboard the liner "Mission Enfoirés" for a cruise with Gérard Jugnot as captain, in search of his sweetheart...
