
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Self

Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
2012-01-10
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7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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