Movie: Raagini
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Jaandaar (English: Lively; Hindi: जानदार) is a 1979 Bollywood Action film, produced and directed by S.K. Lutha under the Kareer Films banner. It stars Vinod Mehra, Bindiya Goswami, Amjad Khan, Mahendra Sandhu in the lead roles while Jeetendra has given a special appearance and the music was composed by Kalyanji Virji Shah.
Veer-Zaara(hi)
Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.
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A man pursues a woman who is already engaged and eventually gets married to her. Differences between the two lead to a bitter separation that threatens to destroy their relationship forever.
Hum Tum(hi)
The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.
Kal Ho Naa Ho(hi)
An uptight MBA student falls for the charismatic new neighbor who charms her troubled family – but he has a secret that forces him to push her away.
Aśoka(hi)
A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.
Heyy Babyy(hi)
Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.
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Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.
Jaanam(hi)
A boy and girl from opposing families meet and fall in love, determined not to let the hate between their parents stand in the way of their happiness.
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Lihaaf: The Quilt(hi)
A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.
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Chalti Rahe Zindagi(hi)
Krishna Bhagat is a local bread supplier in three different families of a housing complex - it's the early times of the pandemic setting in. A lockdown is announced and that sets to change lives for these families poignantly. Phase 1 of lockdown exposes the extramarital affair of Arjun's wife with Aru's husband, a neighbor. In phase 2 Sushma, pressurised by her son Akash, a TV journalist, forces Krishna to return the money that she had loaned him. Phase 3 brings to fore the conflict within Leela Seth, a lady in her late sixties, her daughter in law, Naina in her mid thirties and granddaughter, a teenager, Siya. Will all of them be able to emerge out of their situations with a brave spirit?
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A working single mother's world turns upside down when her inquisitive son demands a new father on a 30-day 'Trial Period'.
Faraib(hi)
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The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.
Kali Salwar(hi)
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.
Naukar Ki Kameez(hi)
This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.
Gopinath(hi)
Mohan is fascinated by films and eventually meets a big movie star. The actress, in turn, is charmed by his simple ways. His increasing affection for her is merely a game for the actress.