
"These three films are derived from "Negative / Positive on Three Images" by Baldwin Spencer, which was copied in high-contrast material to make Study No. 1. This, in turn, was copied into the same material to make Study No. 2 serially. . Then Study No 2 was used as the material to copy Study No 3, copied again in high contrast material. Each copy had more and more contrast, until in the third there was nothing gray left in the image. As a result, the original action is progressively replaced by the action of the cinematographic material. These three films together, in addition to the first two Baldwin Spencer films, were used in our film / performance piece that we did in 1977 Edges of Meaning, in which we examined some of the implications of the material."

"These three films are derived from "Negative / Positive on Three Images" by Baldwin Spencer, which was copied in high-contrast material to make Study No. 1. This, in turn, was copied into the same material to make Study No. 2 serially. . Then Study No 2 was used as the material to copy Study No 3, copied again in high contrast material. Each copy had more and more contrast, until in the third there was nothing gray left in the image. As a result, the original action is progressively replaced by the action of the cinematographic material. These three films together, in addition to the first two Baldwin Spencer films, were used in our film / performance piece that we did in 1977 Edges of Meaning, in which we examined some of the implications of the material."
1975-01-01
0
7.3An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity; one that comes with its own price.
6.6Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
6.1A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
6.9A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
6.6Stan and Ollie arrive as new inmates at a prison after apparently taking part in a hold-up raid, a raid they tell a prison officer they were only watching. The usual mayhem ensues.
7.0A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.
6.9Down and out Stan and Ollie beg for food from a friendly old lady who provides them with sandwiches. While eating, they overhear the lady's landlord tell her he's going to throw her out because she can't pay her mortgage. They don't realize that the old lady is really rehearsing for a play. Stan and Ollie decide to help the old lady by selling their car. During the auction a drunk puts a wallet in Stan's pocket. Ollie accuses Stan of robbing the old lady, but when the truth is revealed Stan takes revenge on Ollie.
6.9While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
6.7Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.
7.2Oliver's in trouble with his wife after missing a payment on their furniture, having given the money to Stanley, who used it instead to pay Mrs. Hardy for his room and board. At Stan's suggestion Ollie then withdraws the couple's savings from the bank to pay for the furniture and inadvertently pays virtually the whole amount at an auction for a grandfather clock which is soon crushed under a passing truck. Mrs Hardy then unintentionally causes serious injuries to Ollie requiring him to be rushed to hospital for a blood transfusion. The doctor conscripts Stan to be the unwilling blood donor. Problems occur with the transfusion and when Stan and Ollie leave the hospital they appear to have morphed into each other.
6.6Wide-eyed and poor young Leonora weds an obsessive millionaire named Ohlrig, but the marriage is loveless. Even worse, Ohlrig seems to have manic, violent tendencies. Eventually, young Leonora escapes her unhappy life and begins working with New York City doctor Larry Quinada, who she soon falls for. Unfortunately, Ohlrig refuses to grant his wife a divorce, and things get even darker for Leonora when she realizes she's pregnant with his child.
6.2Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.
7.4Retrospective documentary about the making of the horror cult classic "The Return of the Living Dead."
7.4In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.
6.9Although they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy isn't an easy task.
6.9An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
7.2Ollie's house is a mess after a wild party from the previous night. Ollie receives a telegram from his wife (who is on vacation in Chicago), which tells him that she is returning home in the afternoon. Fearing his wife's wrath he calls Stan over to help him clean up. Things go downhill and they make more mess not less.
7.7Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.