An interesting look at love destroyed by the demon of drugs, which uses opera singing instead of spoken word. A story about the relationship of two young people and drug addiction.

Markéta
Markéta (singing voice)
Adam (singing voice)
Mother (singing voice) / Teacher (singing voice)
Father (singing voice) / Old Doctor (singing voice)
An interesting look at love destroyed by the demon of drugs, which uses opera singing instead of spoken word. A story about the relationship of two young people and drug addiction.
1989-10-22
0
6.7Three angels bestow the gift of song to a young girl, who must follow a series of rules in order hold on to it during her rise to fame and fortune.
6.5A high school choir is fading in popularity, as it continues to lose most of its' members one by one. A wannabe rock singer is convinced to join the choir, in hopes of winning the upcoming competition and cash prize.
6.7A likeable and talented underdog gets momentarily sidelined from chasing her musical dreams when her van breaks down in a welcoming small town just before Christmas.
6.5The story of R&B singer and actress Aaliyah; namely, the highs and lows of her career, her romantic pursuits, and the events leading up to her death in 2001 at the age of 22.
6.1A struggling construction worker and an aspiring musician find themselves falling in love.
6.3Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
6.5Single mom Kathleen Russell (Roma Downey) and her daughter Zoey pretend to be Kathleen's boss's "family" so he can close a major business deal with the mysterious Mexican financier Javier Del Campo.
7.0A woman falls for a younger man with severe mental problems.
5.9Based on Victor Hugo's famed novel, the story of Quasimodo, the deformed bell ringer of Notre Dame, and his unrequited love for the gypsy girl, Esmeralda.
6.8A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.
6.6A suicidal young man is committed to a Dublin psychiatric hospital where he meets new friends who greatly influence his life.
7.0Fired from her job as a reality TV host, Natalie returns home for Valentine's Day, only to find herself running the town festival's auction with her ex-fiancé thanks to two scheming mothers.
7.0In an updated contemporary version of the beloved stage play and 1989 film, "Steel Magnolias" chronicles the lives and friendship of six women in Louisiana. Supporting each other through their triumphs and tragedies, they congregate at Truvy’s beauty shop to ponder the mysteries of life and death, husbands and children - and hair and nails - all the important topics that truly unite and celebrate women.
7.3Scorned girlfriends Carly and Tori hatch a plot against the boy that they are both dating.
6.1Time passes and tension mounts in a Florida police station as an estranged interracial couple awaits news of their missing teenage son.
6.8After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell—with the help of an American movie producer. A remake of Ninotchka (1939).
6.9Rhea lives with her tight-knit multigenerational family. After her mother’s death, she has been her father’s emotional rock, and her life revolves around her family’s restaurant, her eclectic group of friends, and her after-school coding club. Everything changes when she falls for aspiring DJ Max and a long lost passion for music is reignited. Rhea discovers that she has a natural gift for creating beats and producing music that blends her Indian heritage, but must find the courage to follow her true inner talent.
6.1An inside look into one night in the San Francisco underground rave scene.
6.5Harper was one of the best dancers to hit Broadway, but an injury caused her to leave the spotlight, become a choreographer, and raise her daughter Mirabella. When Mirabella decides to quit the show to get married, her mother is determined to put a stop to the wedding and show Mirabella that she cannot give up her career for love.
7.3Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.
2.5The story is set in southern Italy and recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. Although Leoncavallo's opera was originally set in the late 1860's, Zeffirelli's production is updated to the period between World War I and World War II.
0.0The most popular Czech comic opera, with a libretto by Karel Sabina, marking the 200th anniversary of the birth of Bedřich Smetana, in the current production of the National Theater in Prague. For more than 150 years, The Bartered Bride has dominated Czech opera. No one else, not even Smetana himself, has managed to surpass its popularity, which over the years has become part of our national DNA, so to speak. At the time of its creation in the 1860s, however, The Bartered Bride was actually quite a bold experiment – Bedřich Smetana and librettist Karel Sabina masterfully mocked all those who imagined "national opera" as an idyllic picture of the Czech countryside, where national virtues reign supreme.
5.4The Budapest Opera House's diva commits suicide after the owner ruins her career for having rejected his advances but her conductor-husband, believed killed in a fire, plans his revenge on all those he deems responsible for her suicide.
0.0Francesco Cavalli's incandescent opera, where tragedy rubs shoulders with comedy, and burlesque alternates with deep emotion. Max Emanuel Cenčić directs a lively production, drawing on the codes of commedia dell'arte. This game of love and chance combines passion, betrayal, and power struggles. The countertenor takes on the title role, while Leonardo García Alarcón conducts the Cappella Mediterranea.
4.7Eugene Onegin, a jaded young dandy from the big city of St. Petersburg, travels to the country to ingratiate himself into the affection of a dying uncle. There he meets the idealistic and romantic poet Vladimir Lensky, who introduces him to the daughters of a local landowner.
7.0A sudden gunshot shatters the dream of two lovers on their wedding day. The fate of Orpheus and Eurydice is cruel: on the very day they sought to seal their love, EurydiceΆs soul embarks on its journey to the underworld. Heartbroken, Orpheus embarks on a perilous journey to bring his beloved back from Hades. A journey that will lead the fearless hero to confront the depths of his emotions and face his greatest fears. This journey will take him through strange worlds and into encounters with some of the greatest musical pieces and arias in the history of music. Will love triumph over death?
0.0TDK presents a recording of Puccini’s heart-breaking opera from one of the best opera houses of the world featuring star tenor José Cura and remarkable soprano Maria Guleghina as the two inseparable lovers. Riccardo Muti, music director of La Scala at the time of this performance, gives full weight to the alternation of social realism and private amatory psychology, of crowds and intimacy, body and spirit. And the director of this Milan production, the famous Italian film director Liliana Cavani, provides it with a realistic setting. Every scene looks like a genre painting, from which Puccini’s psychograms emerge musically. This forms the background for the two outstanding singer actors, who take the lead roles.
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.
6.0La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.
9.0With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.
10.0Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.
0.0Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballé, and Renata Scotto, taking on—for the first time at the Met—the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The soprano is joined by tenor Piotr Beczała as Adriana's lover, Maurizio. The principal cast also features mezzo-soprano Anita Rachvelishvili and baritone Ambrogio Maestri. Gianandrea Noseda conducts. Sir David McVicar's staging, which sets the action in a working replica of a Baroque theater, premiered at the Royal Opera House in London, where the Guardian praised the "elegant production, sumptuously designed ... The spectacle guarantees a good night out."
0.0Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.
0.0Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.
0.0Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.
6.7A young girl and her father are kicked out of their house by a cruel noblewoman, and the girl's heart is broken when her sweetheart, the noblewoman's son, won't go to Paris with them. After becoming an opera star in Paris, the girl returns to her homeland and finds her romance with the nobleman rekindled.
8.0Recorded live in June 2017 at the magnificent Liceu Theatre in Barcelona, this DVD is the companion to Joyce DiDonato’s award-winning album In War and Peace: Harmony through Music. Seeking answers to the existential question “In the midst of chaos, how do you find peace?”, it makes a compelling piece of music theatre as DiDonato journeys through arias by Handel, Purcell, Monteverdi, Leo and Jommelli with Il Pomo d’Oro and conductor Maxim Emelyanychev. On stage, In War and Peace: Harmony through Music makes a compelling piece of music theatre. In Barcelona, as on the European and North American tours she made in late 2016, DiDonato was joined by the baroque orchestra Il Pomo d’Oro and its principal conductor Maxim Emelyanychev. May and June 2018 bring further performances in Portugal, France, Germany, Turkey and Hungary.
7.0Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
0.0A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.