Memory Books(2008)

Led Zeppelin Played Here(en)

1969. Man lands on the moon. Half a million strong at Woodstock....and Led Zeppelin perform in the gym of the Wheaton Youth Center in front of 50 confused teenagers. Or did they? Filmmaker Jeff Krulik chronicles an enduring Maryland legend, of the very night this concert was alleged to have taken place, January 20, 1969, during the first Presidential Inauguration of Richard Nixon. Led Zeppelin Played Here presents a mid-Atlantic version of what was happening nationwide as the rock concert industry took shape. Featuring interviews with rock writers, musicians, and fans, and several who claim they were witnessing history that night.

My New Friends(zh)

Tsai interrupted his pre-production for The River to make this pioneering documentary for Taiwan's nascent AIDS-awareness campaign. Ignoring instructions to 'play down the gay angle', he centres the film on his own very candid conversations with two HIV+ young men. Sadly the identities of the interviewees have to be concealed, and so the freewheeling camerawork focuses most often on Tsai himself; but the sense of rapport between the director and his 'new friends' is palpable and very moving, even to Western viewers already only too familiar with these issues.

Bus 174(pt)

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

After You(sv)

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

HIV=AIDS: Fact or Fraud?(en)

One of the most powerful video documentaries of our time boldly reveals the modern medical-industrial complex’s dire descent into utter corruption. HIV/AID$ - A deadly and dangerous DECEPTION! This feature-length expose explains exactly how the 300-Billion-dollar AID$ fraud began, why HIV can NOT be the cause of AIDS, what the real causes could be, and who manipulates the public’s good intentions while poisoning hundreds of thousands with toxic drugs that cause the very disease they are supposed to prevent.

Africa, Blood & Beauty(fr)

This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good.

When We Were Kings(en)

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Goodbye, Hunter(fr)

For the Frigons, hunting is a family affair that forges and solidifies the bonds between generations. For many autumns, Louis-Henri has been tracking moose alongside Sasha, his grandson. On the other hand, at the dawn of his 81st birthday, old age reminds him that his career as a hunter is behind him. This year, Louis-Henri will not go hunting and Sasha will go without him for the first time. Goodbye, Hunter offers an intimate look at the moment of the passing of a long family tradition.

Being 97(en)

Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.

African Dwarves(cs)

Mögöbalu, Les Maîtres des Tambours d'Afrique(fr)

Koka(ru)

Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.

Zrození sopky(cs)

Mariner of the Mountains(fr)

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

before again(en)

A gaze dimmed by hope that all will mend in time, shadowed by the quiet dread that sorrow, too, must come.

Le Goût de la savane : Herbivores et carnivores, festins croisés(fr)

The Beast Is Still Alive(bg)

A young Bulgarian girl digs into her grandfather's turbulent life in an attempt to unravel the past and find answers and explanations for the catastrophic fall of communism.

The Story of the Weeping Camel(mn)

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Flying a Kite(en)

A simple story of happy home and family relationships, showing various childhood activities. Does not give guidance for kite flying.

Algeria in Flames(ar)

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.