Splice Here: A Projected Odyssey
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The Diary of a Projectionist(ca)
This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.
Reel Stories: An Oral History of London's Projectionists(en)
Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.
Going Dark: The Final Days of Film Projection(en)
Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.
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When the UK's oldest working cinema opened in 1909, it took five years to train a projectionist - a century later, it takes less than an hour. The Last Projectionist charts the amazing history of UK independent cinema, taking a tour of some of the most magical picture houses in the world, all centred around The Electric in Birmingham, the oldest working cinema in Britain.
Entertaining an Evening Projectionist(en)
How do you entertain yourself while entertaining others? A short documentary about a nighttime projectionist passing the time.
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An ode to projection in cinema, from the work of the projectionist to the machines that light up the theaters.
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An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.
The Projectionist(en)
Set in the most easterly town in England, Lowestoft, a young Projectionist (Andrew Hooper) must overcome grief and barriers created from his Mother's untimely death, and become the filmmaker she wanted to him to be.
Last Action Hero(en)
After his father's death, a young boy finds solace in action movies featuring an indestructible cop. Given a magic ticket by a theater manager, he is transported into the film and teams up with the cop to stop a villain who escapes into the real world.
Sherlock Jr.(en)
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
Coming Soon(th)
Two projectionists discover a disturbing film featuring the lynching of a woman. Not only are they troubled by the content of the movie, but strange events befall them following the viewing.
Empire of Light(en)
The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.
Cigarette Burns(en)
With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.
The Projectionist(en)
A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.
The Smallest Show on Earth(en)
Jean and Bill are a married couple trying to scrape a living. Out of the blue they receive a telegram informing them Bill's long-lost uncle has died and left them his business—a cinema in the town of Sloughborough. Unfortunately they can't sell it for the fortune they hoped as they discover it is falling down and almost worthless.
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Elizabeth, a vet assistant, falls for Max, who brings in an abused dog. His jealousy burdens their relationship as does talk of marriage. Lena wants Max and she schemes.
The Serial Rape Murderer(ja)
12 Years ago, Fuyuko, was 7 years old, watched her sister, a high school student, raped and choked to die. Fuyuko never forgets that the man who killed her sister has a red snake tattoo on his thigh. Suffering from the memory and deeply being traumatized, Fuyuko meets the tattooed man by accident and tries to hunt down...
The Man in the Upper Room(en)
In a darkened booth high above the audience, a lone projectionist threads reels of 35mm film through a machine older than many who come to watch. The Man in the Upper Room is a one-day documentary that captures the sacred solitude of one of cinema’s last keepers. Shot in a single 24-hour period, the film is both a portrait and a meditation: on ritual, on the fragility of tradition, and on the quiet hands that keep the magic alive. As theaters shutter and celluloid vanishes, this intimate story asks a simple question: why does it still matter to gather in the dark and let light tell us who we are?
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